Christ Taken Up by Angels Above the Battlements of the Temple - Giovanni Domenico Tiepolo
Archival giclée
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Description
A pen and brown wash drawing by Giovanni Domenico Tiepolo, depicting Christ being taken up by angels above the battlements of the Temple. This artwork showcases Tiepolo's skill in capturing movement and emotion.
This pen and brown wash drawing by Giovanni Domenico Tiepolo depicts Christ being taken up by angels above the battlements of the Temple. Tiepolo, the son of the celebrated Venetian painter Giovanni Battista Tiepolo, followed in his father's footsteps, developing a distinctive style characterised by its dynamism and expressive use of light and shadow. Domenico often collaborated with his father on large-scale decorative projects, but he also produced a substantial body of independent work, including drawings, etchings, and paintings. This drawing showcases Domenico's skill in capturing movement and emotion. The composition is filled with swirling clouds and figures, creating a sense of drama and energy. Christ, surrounded by a multitude of angels, is lifted upwards, his body seemingly weightless. The use of brown wash creates a tonal effect, adding depth and dimension to the scene. The architectural details of the Temple battlements provide a grounding element, contrasting with the ethereal quality of the figures above. The drawing is a fine example of Tiepolo's ability to combine religious subject matter with a theatrical flair.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Christ Taken Up by Angels Above the Battlements of the Temple - Giovanni Domenico Tiepolo
Our Features
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Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Giovanni Domenico Tiepolo
He was born in Venice in 1727, the eldest son of Giovanni Battista Tiepolo, the greatest ceiling painter in Europe. By thirteen he was his father's chief assistant; by twenty he was producing independent commissions. He assisted at Wurzburg (1751 to 1753), at the Villa Valmarana in Vicenza (1757), and at the Royal Palace in Madrid (1762 to 1770).
His father's death in Madrid in 1770 freed him to develop his own direction. He returned to Venice and turned increasingly away from the luminous Baroque grandeur of his father's work toward genre scenes, religious subjects treated with narrative intimacy, and the Punchinello drawings that became his finest achievement. In retirement at the family villa at Zianigo, he painted frescoes now in the Correr Museum and produced nearly two hundred etchings. He died in Venice in 1804, at seventy-six.
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