Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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Made to order
A detailed seventeenth-century engraving by Louis Simonneau depicting the biblical encounter between Christ, Martha, and Mary.
This engraving by Louis Simonneau depicts the biblical narrative of Christ visiting the home of sisters Martha and Mary. Simonneau, a skilled French engraver active during the late seventeenth and early eighteenth centuries, demonstrates technical precision through his use of varied line weights and cross-hatching to define form and shadow. The composition follows classical conventions of the period, arranging the figures in a balanced, theatrical manner that directs the viewer's attention toward the central interaction between Christ and the sisters.
Christ sits to the right, gesturing toward Mary, who kneels at his feet in a posture of devotion. Martha stands to the left, her arms outstretched in a gesture that conveys her preoccupation with domestic duties, a detail that contrasts with Mary's stillness. The setting includes architectural elements such as fluted columns and a tiled floor, which provide a sense of depth and spatial structure. A brazier with rising smoke occupies the foreground, adding a tactile element to the scene. Two figures stand in the background, observing the exchange, which adds a layer of narrative depth to the composition.
Simonneau was known for his ability to translate complex painterly compositions into the medium of print. His work often reflects the formal rigour of the French Academy, prioritising clarity of line and anatomical accuracy. This print captures the quiet intensity of the moment, focusing on the psychological tension between the active and contemplative lives represented by the two sisters. The drapery of the garments is rendered with particular care, showing the influence of contemporary painting styles on the graphic arts of the era. This piece offers a view into the technical standards of printmaking in the late Baroque period, where the engraver functioned as both a technician and an interpreter of classical themes.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Why Choose Us ?
Damage-free delivery guarantee
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Museum-Quality Materials
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