A detailed sixteenth-century Flemish engraving depicting the biblical exorcism of the Gerasene demoniac, rendered with precise line work and delicate hand-colouring.

This engraving by Johannes Wierix depicts the biblical narrative of the Gerasene demoniac. The composition follows the conventions of late sixteenth-century Flemish printmaking, where the primary action occupies the foreground while a detailed, expansive background provides context. Christ stands to the right, gesturing towards the afflicted man who lies on the ground, his body contorted in a state of release as the demons depart into a herd of swine rushing towards the sea.

Wierix demonstrates his technical proficiency through the precise, controlled lines characteristic of his work. The figures are rendered with a focus on anatomical clarity, reflecting the influence of Italian Renaissance models on Northern European artists of the period. The background features an obelisk and a coastal town, elements that anchor the scene in a classical, architectural setting rather than a strictly historical one. The hand-applied colour adds a layer of visual interest, distinguishing the figures from the muted tones of the landscape and the turbulent sky.

As a member of a prominent family of engravers in Antwerp, Wierix produced a vast body of work that circulated widely across Europe. His prints often served as vehicles for theological instruction, combining narrative clarity with decorative appeal. The inclusion of Latin and French text at the base of the image suggests this print was intended for a devotional book or a collection of moralising illustrations. The work captures a specific moment of divine intervention, balancing the dramatic tension of the exorcism with the orderly, structured environment typical of Mannerist print production. The attention to detail, from the ripples in the water to the folds in the garments, reflects the high standards of the Antwerp print workshops during the late sixteenth century.