Child in the Rose Garden - Berthe Morisot
Archival giclée
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Description
Berthe Morisot's "Child in the Rose Garden", painted in 1883, exemplifies Impressionist techniques with its loose brushwork and soft colour palette, capturing a fleeting moment of a child amidst a lush garden.
Berthe Morisot's "Child in the Rose Garden", painted in 1883, is a quintessential example of Impressionist painting. Morisot, a leading figure within the Impressionist circle, often depicted scenes of domestic life and the world around her with a distinctive, light-infused touch. This work captures a young child amidst a profusion of roses and foliage, likely within a private garden setting. The loose brushwork and soft colour palette are characteristic of Morisot's style, creating a sense of immediacy and capturing a fleeting moment in time. The painting's composition is informal, with the child positioned slightly off-centre, surrounded by the garden's natural elements. The artist's focus is not on precise detail but on the overall impression of light and colour. The roses, rendered with delicate strokes, blend seamlessly with the surrounding greenery, creating a harmonious and immersive visual experience. The child's figure is also softly rendered, contributing to the painting's overall atmosphere of gentle observation and quiet beauty. "Child in the Rose Garden" is now part of the collection of the Musée Marmottan Monet in Paris.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Child in the Rose Garden - Berthe Morisot
Our Features
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Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Berthe Morisot
She was born in Bourges in 1841. Her parents built a studio in the family garden for Berthe and her sister Edma, who was equally talented. Edma abandoned painting when she married a naval officer in 1869. Berthe, having lost her collaborator, held on harder. She exhibited ten works at the first Impressionist exhibition in 1874, the only woman showing. She participated in every Impressionist show except 1879, the year her daughter Julie was born.
Edouard Manet painted her portrait repeatedly before she married his brother Eugene in 1874. She had sworn to stay single. Eugene gave up his own painting ambitions so she could pursue hers. Whatever the nature of her relationship with Edouard, it produced some of his finest portraits and left a subject that art historians have been circling for over a century.
She painted the domestic world of women with a directness that the male Impressionists could not access: mothers and daughters, women at their toilette, the garden, the drawing room. The brushwork is rapid and unfinished-looking, more so than Monet's. She died of pneumonia in 1895, aged fifty-four, caught while nursing her daughter through the same illness. She wrote to sixteen-year-old Julie the day before.
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