A candid 1858 etching by Léopold Flameng depicting the printmaker Charles Meryon resting in bed, rendered with expressive line work and dramatic shadow.

This etching by Léopold Flameng captures the French printmaker Charles Meryon in a moment of quiet reflection. Produced in 1858, the work depicts Meryon resting in bed, his gaze directed away from the viewer. The composition relies on the expressive potential of the etching needle, using varied line weights and cross-hatching to define the textures of the bedding and the shadows cast against the wall behind him.

Flameng, a skilled technician of the printmaking medium, employs a sombre palette of monochrome tones to convey the atmosphere of the scene. The heavy shadow looming behind the figure adds a psychological weight to the portrait, suggesting the internal struggles often associated with Meryon during this period of his life. The artist focuses on the interplay between light and dark, creating a sense of volume and depth within the confined space of the room.

Unlike formal portraiture of the era, this work offers a candid view of the subject. The loose, almost sketch-like quality of the lines demonstrates Flameng's ability to capture a fleeting mood rather than a static likeness. The inclusion of the subject's name and the date at the bottom of the plate provides a clear record of the encounter between these two printmakers. This piece remains a notable example of nineteenth-century portrait etching, reflecting the technical proficiency and observational approach common among artists working in the realist tradition. It serves as a document of the personal connection between Flameng and Meryon, capturing a private moment in the life of a fellow artist.