Catching Fireflies - Kitagawa Utamaro
Archival giclée
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Description
A classic Ukiyo-e triptych by Kitagawa Utamaro, depicting women and children enjoying a summer evening catching fireflies.
This triptych by Kitagawa Utamaro depicts a summer evening scene, a popular subject in Edo-period Japan. The composition captures a group of women and children engaged in the traditional pastime of catching fireflies near a stream. Utamaro, a master of the bijin-ga genre, focuses on the graceful postures and varied expressions of his subjects, who are dressed in light summer kimonos. The artist employs a delicate line quality to define the folds of the fabric and the gentle gestures of the figures, while the background remains minimal to keep the attention on the human interaction. The scene is set under a willow tree, with the dark sky suggesting the onset of night. The figures hold uchiwa fans, which were commonly used during the humid summer months. Utamaro uses a balanced colour palette, incorporating soft pinks, muted greens, and earthy tones that reflect the natural environment. The print demonstrates the artist's ability to organise multiple figures within a single narrative frame, creating a sense of movement and shared activity. The children are depicted with a sense of curiosity, mirroring the adults who participate in the hunt for the glowing insects. This work provides a glimpse into the leisure activities of the period, captured with the technical precision characteristic of the Ukiyo-e tradition. The woodblock medium allows for the subtle layering of colour and the crisp definition of the outlines, which remain clear despite the age of the original impression. Through this work, one observes the refined aesthetic sensibilities that defined the urban culture of late eighteenth-century Japan.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Catching Fireflies - Kitagawa Utamaro
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Kitagawa Utamaro
Almost nothing is certain about his early life. He was born around 1753, possibly in Edo, possibly in Kyoto, possibly in Kawagoe. He began publishing prints in the 1770s under the guidance of the publisher Tsutaya Juzaburo, who recognised what Utamaro could do with a portrait of a woman.
What he could do was unprecedented. He invented the okubi-e format: large head-and-shoulders portraits of individual women, mostly from the Yoshiwara pleasure district, printed in close-up with minimal background. Before Utamaro, bijin-ga (pictures of beautiful women) showed groups of figures in full length. He isolated the face, the tilt of the head, the expression. The prints are psychologically specific in a way that had not existed in Japanese printmaking.
He also published books of insect studies and volumes of shunga (erotica), and he made portraits of ordinary town women, not just courtesans. Ohisa and Okita, two shopgirls who appeared in his Three Beauties of the Present Day, became famous across Edo because of his prints. He turned real people into celebrities, which may be the first documented instance of an artist functioning as a kind of media platform.
Tsutaya Juzaburo died in 1797. Utamaro was reportedly devastated. Some critics feel his work never reached the same level afterward. He produced over two thousand prints in his career.
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