Catalan Landscape (The Hunter) - Joan Miró
Archival giclée
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Description
A seminal Surrealist work by Joan Miró, featuring a dream-like arrangement of geometric symbols and organic forms set against a bright yellow sky.
Painted between 1923 and 1924, Catalan Landscape (The Hunter) marks a transition in Joan Miró's career towards the visual language of Surrealism. The composition is divided into two distinct zones by a horizontal line, separating the ochre-toned ground from the bright yellow sky. This work reflects the artist's connection to his home region of Mont-roig del Camp, yet it rejects traditional representation in favour of a symbolic, dream-like vocabulary.
The canvas is populated by a series of geometric and organic forms. A large, central circle dominates the upper right, while various triangles, lines, and biomorphic shapes scatter across the surface. The figure of the hunter is reduced to a schematic form, featuring a triangular body and a head represented by a simple circle. Miró incorporates text into the composition, with the letters 'Sard' appearing in the lower right, a reference to the sardana, a traditional Catalan dance.
Miró employs a flat, graphic approach to space, eschewing conventional perspective. The objects float within the pictorial field, connected by thin, precise lines that suggest movement or trajectory. The colour palette is restricted, relying on the contrast between the warm, earthy tones of the foreground and the luminous yellow of the sky. This work demonstrates the artist's interest in memory and the subconscious, transforming the physical environment of Catalonia into a personal, imaginative map. By stripping away realistic detail, Miró invites the viewer to engage with the painting as a collection of signs and symbols rather than a literal depiction of a place.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Catalan Landscape (The Hunter) - Joan Miró
Artist Biography
Joan Miro
He grew up in Barcelona, the son of a goldsmith and watchmaker. He studied at the Escola de Belles Arts and at Francesc Gali's art school, where Gali made students draw objects by touch, blindfolded, to develop their sense of form. Miro went to Paris in 1920 and fell in with the Surrealists. Andre Breton called him 'the most Surrealist of us all', which was a compliment. Miro's paintings from this period look like dreams transcribed by someone who has never seen a dream depicted before: biomorphic shapes, stars, eyes, birds, and moons floating on flat fields of colour.
The Constellations series, twenty-three small gouaches painted during the Second World War, are his masterwork. He started them in Normandy as the German army advanced, continued in Palma de Mallorca after fleeing, and finished them in Barcelona. Each one is dense with interlocking forms connected by fine black lines, like a musical score or a star chart.
His late work includes monumental ceramics, tapestries, and public sculptures. The Barcelona airport has a floor mosaic. The Joan Miro Foundation on Montjuic, designed by his friend Josep Lluis Sert, opened in 1975. He burned canvases, stabbed them, walked on them. He was eighty-five and still trying to murder painting.
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