Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.




Émile Bernard's 'Bretons' captures a scene of Breton life with simplified forms and muted colours, characteristic of Cloisonnism. The painting depicts figures in traditional clothing within a flattened perspective.
Émile Bernard (1868-1941) was a French Post-Impressionist painter and writer, known for his association with artists like Paul Gauguin and Vincent van Gogh. He was a key figure in the development of Cloisonnism and Synthetism, styles that moved away from Impressionism's emphasis on optical realism. Bernard sought to express emotions and ideas through simplified forms, bold colours, and symbolic imagery. His work often depicted scenes from Brittany, reflecting his interest in rural life and regional culture. 'Bretons' exemplifies Bernard's style, featuring figures in traditional Breton clothing. The painting employs a flattened perspective and simplified forms, characteristic of Cloisonnism. The figures are outlined with dark contours, resembling the leaded sections of stained glass, hence the name 'Cloisonnism'. The colour palette is muted, with greens, blues, and reds dominating the composition. The scene depicts two women in the foreground, their faces turned towards each other, while other figures populate the background, some seated and others tending to animals. The overall effect is one of quiet contemplation and a connection to the Breton landscape.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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inventing cloisonnism at twenty, sharing it with Gauguin, watching Gauguin take the credit, and spending decades arguing about who invented Symbolism
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