Bouquet of Flowers in a Vase - Vincent van Gogh
Archival giclée
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Description
A study of a floral arrangement by Vincent van Gogh, painted during his time in Paris. This work features rhythmic brushwork and a balanced colour palette.
Painted during his time in Paris, this work displays the transition in Vincent van Gogh's technique as he moved away from the darker palette of his Dutch period. The composition features a dense arrangement of flowers, including asters and phlox, contained within a simple ceramic vessel. Van Gogh employs short, rhythmic brushstrokes that create a sense of movement across the canvas. The background consists of vertical, hatched lines in deep blue, which contrast with the lighter, warmer tones of the floral display. The application of paint is thick and tactile, a characteristic feature of the artist's approach during this period. By placing the flowers against a dark, structured backdrop, he draws the eye toward the varied textures of the petals and foliage. The colour palette balances cool blues with warmer yellows, pinks, and reds, demonstrating his interest in the interaction of complementary colours. This study of a floral arrangement reflects his ongoing experimentation with light and form, influenced by his exposure to the work of contemporary French painters in Paris. Van Gogh produced several still life paintings during his two years in the city, often using them as a means to refine his handling of colour and brushwork. This specific piece captures a moment of observation, where the artist focuses on the physical presence of the flowers rather than a symbolic or narrative meaning. The arrangement appears natural, lacking the rigid symmetry often found in traditional still life compositions of the era. The result is a direct, honest depiction of the subject, rendered with the energy and focus that defined his practice.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Bouquet of Flowers in a Vase - Vincent van Gogh
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Vincent van Gogh
He taught himself to draw by copying prints and working through textbooks. His brother Theo, an art dealer in Paris, sent money every month for the rest of Vincent's life. Without Theo there are no paintings. The letters between them, over 600, are one of the most complete records of any artist's thinking. Van Gogh wrote about colour theory, composition, what he ate, what he read, how much he spent on paint. He was articulate and well-read and not, despite the popular version, simply mad.
He moved to Paris in 1886 and encountered Impressionism. The palette changed immediately: from the dark browns of his Dutch period to the colours people actually associate with his work. He met Gauguin, Pissarro, Signac, Toulouse-Lautrec. He absorbed Pointillism and Japanese prints. Then he moved to Arles in the south of France, where the light was better and people were fewer.
The Arles period produced Sunflowers, The Bedroom, Starry Night Over the Rhone. The breakdown followed: the argument with Gauguin, the severed ear (he cut part of his left ear, not the whole thing), the asylum at Saint-Remy, and then Auvers-sur-Oise, where he painted seventy canvases in seventy days before dying from a gunshot wound at thirty-seven. He sold one painting during his lifetime, or possibly two. Theo died six months later.
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