A monochromatic lithograph by Alfred Sisley depicting the quiet riverbanks of the Loing near Saint-Mammès, captured with expressive, rhythmic lines.

This lithograph by Alfred Sisley captures the quiet atmosphere of the Loing river near Saint-Mammès, a location the artist frequented during his later years. Sisley, a dedicated practitioner of Impressionism, focused his attention on the interplay of light and water. In this work, the artist employs a monochromatic palette to convey the texture of the riverbank and the movement of the water. The composition is anchored by the dense cluster of trees on the right bank, which provides a vertical contrast to the horizontal expanse of the river. Small figures are visible along the shore, near moored barges, adding a sense of scale and human presence to the scene. The mark-making is expressive, with varied strokes that suggest the shimmer of light on the surface and the soft, overcast sky. Unlike his oil paintings, which rely on colour to define form, this print relies on the density of the ink and the white of the paper to create depth. The artist's signature is visible in the lower left corner, dated 1896, placing this work within the final years of his career. Sisley spent much of his life in the villages surrounding the forest of Fontainebleau, where he produced numerous studies of the riverbanks. This print reflects his interest in the transient qualities of the French countryside. The medium of lithography allowed Sisley to experiment with a more graphic approach to his familiar subjects, translating his painterly observations into a series of tonal values. It remains a clear example of his ability to capture the specific mood of a place through simplified forms and rhythmic lines.