Boating on the Lake - Berthe Morisot
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A classic Impressionist study by Berthe Morisot, capturing a quiet moment on the water with fluid brushwork and a balanced colour palette.
Berthe Morisot, a central figure in the Impressionist movement, captures a fleeting moment of leisure in this work. The composition focuses on a figure seated in a small boat, accompanied by a dog, while a swan glides nearby on the water. Morisot employs her characteristic rapid, fluid brushwork to convey the movement of the water and the shifting light of the day.
The palette consists of cool blues and purples for the lake, contrasted against the warm, earthy tones of the boat and the surrounding foliage. Morisot avoids rigid outlines, preferring to define forms through the juxtaposition of colour patches. This technique allows the eye to blend the strokes, creating a sense of atmospheric depth and immediacy. The figure, dressed in a dark blue ensemble, provides a stable anchor within the otherwise dynamic, shimmering surface of the water.
Morisot often explored themes of domestic life and outdoor recreation, frequently painting in the environs of Paris or at her family homes. Her approach to the canvas is marked by a lightness of touch, which distinguishes her work from the more structured compositions of her contemporaries. By focusing on the interplay between the subject and the environment, she records the sensory experience of the scene rather than a static representation. This piece reflects her interest in the transient qualities of light and the relaxed pace of life in the French countryside during the late nineteenth century.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Boating on the Lake - Berthe Morisot
Artist Biography
Berthe Morisot
She was born in Bourges in 1841. Her parents built a studio in the family garden for Berthe and her sister Edma, who was equally talented. Edma abandoned painting when she married a naval officer in 1869. Berthe, having lost her collaborator, held on harder. She exhibited ten works at the first Impressionist exhibition in 1874, the only woman showing. She participated in every Impressionist show except 1879, the year her daughter Julie was born.
Edouard Manet painted her portrait repeatedly before she married his brother Eugene in 1874. She had sworn to stay single. Eugene gave up his own painting ambitions so she could pursue hers. Whatever the nature of her relationship with Edouard, it produced some of his finest portraits and left a subject that art historians have been circling for over a century.
She painted the domestic world of women with a directness that the male Impressionists could not access: mothers and daughters, women at their toilette, the garden, the drawing room. The brushwork is rapid and unfinished-looking, more so than Monet's. She died of pneumonia in 1895, aged fifty-four, caught while nursing her daughter through the same illness. She wrote to sixteen-year-old Julie the day before.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like