Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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Made to order
A striking 1894 ink illustration by Aubrey Beardsley, featuring two figures in a café rendered with his signature high-contrast graphic style.
Aubrey Beardsley produced Black Coffee in 1894, a period during which he acted as art editor for The Yellow Book. This work demonstrates his mastery of the ink-line technique, which relies on high-contrast black and white forms to define space and character. The composition features two figures seated at a table, their attire rendered with exaggerated silhouettes that reflect the fashion of the late Victorian era. Beardsley employs a flat, graphic approach, eschewing traditional perspective in favour of a decorative arrangement that prioritises the interplay of solid black masses against stark white negative space.
The figure on the left, adorned with a hat and subtle horn-like protrusions, presents a sharp, angular profile. The companion on the right wears a voluminous, ruffled garment, creating a visual balance between the two subjects. The table, the menu, and the small cup of coffee serve as minimal anchors within the composition, allowing the viewer to focus on the stylised gestures and expressions of the figures. Beardsley was influenced by Japanese woodblock prints, which informed his use of bold outlines and simplified forms. This aesthetic choice allowed him to create images that were both immediate and unsettling.
Beardsley's work often occupied the intersection of satire and fashion, capturing the sensibilities of the fin de siècle. His ability to manipulate ink allowed for a precision that defined the Art Nouveau movement in Britain. This print captures the specific atmosphere of a London café, rendered through a lens that is both precise and detached. The lack of background detail forces the eye to remain on the interaction between the two figures, making the work a study in social observation and graphic economy. It remains a clear example of Beardsley's contribution to the development of modern illustration.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Artist Biography
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Designed for Lasting Impact
Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Damage-free delivery guarantee
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Museum-Quality Materials
Artist Biography
Aubrey Beardsley
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