A striking 1914 lithograph by Ernst Ludwig Kirchner, capturing a tense, atmospheric scene of figures around a billiard table in his signature Expressionist style.

Ernst Ludwig Kirchner, a founding member of the Die Brücke group, produced this lithograph in 1914. The work captures a scene of urban leisure, a common subject for the artist during his time in Berlin. Kirchner employs a stark, high-contrast aesthetic that defines his graphic output from this period. The composition is dominated by the angular, jagged forms of the figures gathered around a billiard table. Their faces are rendered with sharp, mask-like features, reflecting the influence of non-Western art on his practice.

The print demonstrates the artist's ability to convey psychological tension through line and shadow. The figures do not interact in a traditional sense; instead, they appear isolated within their own space, despite their physical proximity. The heavy, gestural marks create a sense of unease, which is characteristic of the German Expressionist movement. The yellow paper tone provides a warm ground for the dense, black ink, which creates a dramatic interplay between light and dark.

Kirchner's approach to the medium of lithography is direct and unrefined. He uses the stone to create textures that mimic the spontaneity of a sketch, allowing the raw energy of his mark-making to remain visible. This print offers a glimpse into the social atmosphere of pre-war Germany, where the artist observed the shifting dynamics of modern life. The figures are hunched and focused, their bodies distorted to fit the geometry of the table. This work is an example of how Kirchner used printmaking to explore the anxieties of the modern individual, stripping away unnecessary detail to focus on the essential emotional weight of the scene.