A double portrait by Charles Willson Peale depicting Benjamin and Eleanor Ridgley Laming in a relaxed, outdoor setting, painted in 1788.

This double portrait by Charles Willson Peale depicts the Baltimore merchant Benjamin Laming and his wife, Eleanor Ridgley Laming. Painted in 1788, the work reflects the conventions of late eighteenth-century portraiture, where sitters were often placed in outdoor settings to suggest a connection to their property or status. The couple is shown in a relaxed, informal pose, which was a departure from the more rigid, formal portrait styles of the era.

Benjamin Laming is positioned reclining on the grass, holding a telescope, while Eleanor sits beside him, holding a small collection of peaches. The inclusion of these objects serves to personalise the scene. The telescope may refer to Benjamin's maritime interests as a merchant, while the fruit and the parrot in the lower left corner introduce elements of natural history, a subject that fascinated Peale throughout his career. The background features a view of their estate, providing a sense of place and ownership.

Peale uses a clear, controlled application of paint. The lighting is even, allowing for the distinct rendering of the textures in the clothing, from the crisp white of the waistcoat to the soft folds of Eleanor's gown. The composition is balanced, with the figures forming a stable, triangular arrangement that draws the eye across the canvas. The palette is dominated by natural tones, with the muted greens of the foliage and the soft blues of the sky providing a backdrop for the figures. This work remains a significant example of American portraiture from the post-Revolutionary period, capturing the aspirations and domestic life of the merchant class in Maryland.