A detailed 1567 engraving by Cornelis Cort after Raphael, depicting the intense military conflict between Roman forces and Hannibal's army.

This engraving by Cornelis Cort depicts a chaotic scene of ancient warfare, specifically the conflict between Roman forces and the Carthaginian army led by Hannibal. Cort, a Dutch engraver who spent significant time in Italy, produced this work in 1567. The composition is based on a design by Raphael, as indicated by the inscription at the bottom of the print. The scene is dominated by the presence of war elephants, which were a signature element of Hannibal's military campaigns.

The print demonstrates the technical precision for which Cort was known. He utilised a system of hatching and cross-hatching to create depth and volume, allowing for a clear distinction between the foreground figures and the more distant elements of the battle. The figures are rendered with the muscularity and dramatic poses typical of the Mannerist style, reflecting the influence of Italian Renaissance masters on Cort's aesthetic development.

In the foreground, soldiers on horseback and foot engage in close-quarters combat, with several figures fallen to the ground. The central focus is an elephant carrying a structure filled with soldiers, which serves as a mobile platform for archers. The background is filled with the dense activity of a large-scale military engagement, including banners and additional elephants. The work is a fine example of the reproductive print culture of the sixteenth century, where the skills of a master engraver were employed to disseminate the compositions of renowned painters to a wider audience across Europe. The print captures the intensity of the clash, focusing on the physical struggle and the scale of the ancient military machinery.