Basket of Flowers - Eugène Delacroix
Archival giclée
Ready to hang
Secure checkout
Made to order
Description
A lush, atmospheric still life by Eugène Delacroix, featuring an overflowing basket of fruit set against a garden backdrop.
Eugène Delacroix, a central figure of the French Romantic movement, is primarily recognised for his dramatic historical and literary compositions. However, this work demonstrates his capacity for observation within the genre of still life. Painted during a period when the artist sought respite from his larger commissions, the canvas captures a dense, overflowing basket of fruit and flora set upon a stone plinth. The composition is framed by a lush, garden environment. Tall stalks of hollyhocks and climbing roses create a vertical enclosure, drawing the eye toward the central arrangement. Delacroix employs a painterly technique, using rapid, visible brushwork to define the textures of the fruit and the surrounding foliage. The light is soft, suggesting an outdoor setting at dusk or within a shaded garden alcove. Unlike the rigid, highly finished still lifes of the Dutch masters, this piece prioritises atmosphere and colour harmony. The palette consists of deep greens, earthy browns, and muted reds, punctuated by the lighter, creamy tones of the melons and pears. The artist balances the weight of the basket against the verticality of the garden background, creating a sense of natural abundance. This work reflects the artist's interest in the interplay between light and shadow, a preoccupation that remained consistent throughout his career. By placing the basket on a simple stone base, Delacroix provides a clear anchor for the viewer, allowing the eye to move from the structured foreground into the looser, more impressionistic treatment of the garden beyond. It is a study in texture and tone, revealing the artist's ability to apply his expressive style to domestic subjects.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Basket of Flowers - Eugène Delacroix
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Why Choose Us ?
100% Satisfaction Guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
Eugène Delacroix
He was born in Charenton-Saint-Maurice, near Paris. His legal father was a diplomat. His biological father may have been Talleyrand, the foreign minister, which would explain several things about his career including his early access to government commissions. He studied at the Ecole des Beaux-Arts under Pierre-Narcisse Guerin and was influenced by Gericault's The Raft of the Medusa, which showed him that contemporary events could be painted at the scale previously reserved for mythology.
His brushwork was loose and fast by the standards of the Academy. He preferred colour to line, which put him in direct opposition to Ingres, the master of precise contour. The rivalry between Delacroix and Ingres, colour versus drawing, became the central argument of French painting in the mid-nineteenth century. Delacroix won in the long run: the Impressionists claimed him, the Fauves revered him, and Cezanne called him the starting point of modern painting.
He travelled to Morocco in 1832 and came back with notebooks full of colour studies that influenced the rest of his career. The North African light loosened his palette permanently. He died in 1863, at sixty-five, and left a journal that is one of the most intelligent accounts of painting ever written.
You May Also Like

