A portrait of a Banda woman and child by Alexandre Jacovleff, created during the 1924-1925 Croisière Noire expedition.

Alexandre Jacovleff produced this work during the Croisière Noire, a trans-African expedition organised by André Citroën between 1924 and 1925. As the official artist for the mission, Jacovleff documented the people and environments encountered across the continent. This portrait depicts a Banda woman from the Ubangi-Shari region, now the Central African Republic, holding a child.

The composition focuses on the physical presence of the figures, rendered with a sculptural quality typical of Jacovleff's approach to portraiture. He employs a muted, earthy palette that emphasises the skin tones of the subjects against a lighter, textured background. The background itself is notable for its inclusion of schematic, linear figures reminiscent of local rock art or traditional wall decorations, which provides a contextual layer to the primary subjects.

Jacovleff was trained at the Imperial Academy of Arts in Saint Petersburg and later became associated with the Mir Iskusstva group. His technical proficiency is evident in the careful modelling of the figures and the precise handling of light. The child is cradled in a cloth sling, a detail that captures a specific cultural practice while maintaining a formal balance within the frame. The artist avoids sentimentalism, opting instead for a direct, observational style that reflects his background in academic realism combined with the stylistic influences of early twentieth-century modernism. The work remains a significant example of the ethnographic documentation produced by European artists during the interwar period, capturing a specific moment of encounter between the artist and the diverse cultures of Africa.