Ballad of Epona - František Kupka
Archival giclée
Ready to hang
Secure checkout
Made to order
Description
František Kupka's "Ballad of Epona" depicts a dreamlike scene of nude figures riding horses on a beach, rendered in soft, ethereal colours. This work reflects Kupka's early Symbolist style, before his move to abstraction.
František Kupka's "Ballad of Epona" presents a dreamlike scene on a beach, bathed in warm, ethereal light. Two nude figures ride bareback on horses, their forms rendered with a soft, almost hazy quality. The composition is divided horizontally, with the red-orange sand contrasting with the cool blues and greens of the sea and sky. The figures and horses are not depicted with anatomical precision; instead, they possess a symbolic presence. Kupka's use of colour and light creates a sense of otherworldly beauty, evoking a mythological or allegorical narrative. Kupka, a Czech painter and graphic artist, was a pioneer of abstract art. He initially trained at the Prague Academy of Fine Arts, where he focused on historical and patriotic themes. Later, he moved to Paris and became involved in various artistic circles, including Symbolism and Fauvism. "Ballad of Epona" reflects Kupka's early Symbolist period, before his transition to pure abstraction. The painting's title refers to the Celtic goddess of horses, further suggesting a connection to ancient mythology and the power of nature.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Ballad of Epona - František Kupka
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Why Choose Us ?
100% Satisfaction Guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
František Kupka
Kupka's artistic approach involved a synthesis of Symbolism and abstraction, evident in works such as "Danse Macabre" and "Ballad of Epona". He sought to capture movement and energy through colour and form, often drawing inspiration from music and mathematics. His Orphist style, characterised by its use of vibrant colours and geometric shapes, aimed to evoke spiritual and emotional responses in the viewer, rather than depicting the external world.
Today, Kupka's art appeals to collectors seeking pieces that bridge the gap between historical movements and contemporary sensibilities. His works offer a unique combination of intellectual depth and visual appeal, making them a compelling addition to modern collections. The enduring quality of Kupka's vision lies in his ability to transform complex ideas into visually arresting compositions.
You May Also Like

