A striking profile portrait of Augusta, captured in oil on cardboard by Henri de Toulouse-Lautrec with his characteristic economy of line and tone.

Henri de Toulouse-Lautrec produced this portrait of Augusta, a woman associated with the Parisian demimonde, during the mid-1890s. The work is executed in oil on cardboard, a substrate the artist favoured for its absorbent quality and matte finish. This choice allowed him to apply paint in thin, rapid strokes, creating a sense of immediacy that defines his approach to portraiture.

Augusta is depicted in profile, a compositional choice that emphasises the sharp lines of her features and the structured arrangement of her hair. The artist employs a palette dominated by earthy browns, ochres, and muted tones, which contrast with the pale, cool flesh tones of the subject. The background consists of vertical, gestural brushwork that suggests a wooden interior, providing a neutral setting that keeps the focus entirely on the sitter.

Toulouse-Lautrec was known for his keen observation of the people inhabiting the cafes, theatres, and brothels of Montmartre. Unlike the idealised portraits common in academic painting of the period, his work captures a specific, unvarnished reality. He avoids sentimentality, preferring to record the character of his subjects through expressive line and economical use of colour. The visible texture of the cardboard remains apparent in areas of the composition, adding to the raw, direct quality of the piece. This portrait demonstrates his ability to convey psychological presence through minimal means, focusing on the tilt of the head and the set of the jaw to suggest a quiet, contemplative mood. The work remains a representative example of his mature style, where the influence of Japanese woodblock prints is visible in the flattened perspective and the emphasis on silhouette.