Aucuba Japonica Thunb. - A. J. Wendel
Archival giclée
Ready to hang
Secure checkout
Made to order
Description
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Aucuba Japonica Thunb. - A. J. Wendel
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Why Choose Us ?
100% Satisfaction Guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
A. J. Wendel
AJ Wendel was a celebrated Dutch lithographer, draughtsman and scientific illustrator whose work helped define 19th-century botanical and paleontological art. Born in Leiden on 31 October 1826, Wendel trained in classical drawing before joining the Arntz & Co. printing house, where he mastered multi-colour lithography techniques. His precision and eye for natural detail made him the go-to illustrator for leading botanists, including W.H. De Vriese on the 1847 landmark volume Descriptions et figures des plantes nouvelles et rares.
Over a career spanning more than six decades, Wendel produced hundreds of plates for major publications— from Carl Ludwig Blume’s Flora Javae et insularum adjacentium (1858) to the Annales du Jardin botanique de Buitenzorg in the late 1880s. His signature “AW” or “A.J. Wendel” appears on richly detailed wood-engraved portraits of Iris, Hibiscus, Viola and countless other species, combining scientific accuracy with artistic flair. In 1887 he also partnered with Boek- en steendrukkerij P.W.M. Trap, extending his influence into paleontological illustration and cartography.
AJ Wendel’s legacy endures in herbaria and museum collections worldwide, where his plates remain prized examples of Dutch botanical lithography. Today, his prints are sought after by collectors of Victorian‐era scientific art, valued both for their historic importance and timeless aesthetic.
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