A poignant lithograph by Théophile Steinlen depicting French soldiers in their billets during the First World War, rendered in expressive, bold lines.

Théophile Steinlen, a Swiss-born artist who spent his career in the Montmartre district of Paris, produced this lithograph during the First World War. The title, Au Cantonnement, refers to the temporary quarters or billets where soldiers rested behind the front lines. Steinlen was known for his sympathetic observation of the working class and the marginalised, and his wartime output shifted toward documenting the human cost of the conflict.

This composition captures a group of French soldiers in uniform, accompanied by a civilian figure. The figures are rendered with loose, expressive charcoal-like strokes characteristic of Steinlen's lithographic technique. The soldier in the foreground stands with a weary posture, his heavy coat and helmet suggesting the physical burden of his service. Behind him, other figures emerge from the shadows, creating a sense of quiet, collective exhaustion. The artist avoids grand heroics, choosing instead to focus on the mundane reality of military life. The lack of a defined background places the entire weight of the image on the interaction and presence of the individuals.

Steinlen's draftsmanship relies on bold, dark lines to define form and volume. The contrast between the light paper and the dense black ink creates a stark, immediate visual impact. This work is part of a broader series of wartime prints that document the daily experiences of those caught in the machinery of war. It remains a direct, unadorned record of the period, reflecting the artist's ability to capture the psychological state of his subjects through minimal, effective mark-making.