At the present, I sell pleasure to the ladies., p. 79 - Paul Gavarni
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Description
A lithograph by Paul Gavarni depicting an elderly woman, likely a 'lorette vieillies', carrying a basket. The image offers a glimpse into Parisian society and the lives of those on the margins.
This lithograph by Paul Gavarni (1804-1866) depicts an elderly woman, presumably a 'lorette vieillies' (an aging woman of questionable reputation), as indicated by the text beneath the image. Gavarni, a French artist known for his satirical and social commentary, frequently portrayed the lives of Parisians, particularly those on the margins of society. His work often appeared in periodicals such as 'Le Charivari'. The image shows the woman carrying a basket, her face etched with the marks of time and experience. The lithographic technique allows for fine lines and subtle gradations of tone, creating a sense of depth and texture. The composition is simple, focusing attention on the figure and her expression. The surrounding text provides context, hinting at the woman's profession and the societal attitudes towards her.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
At the present, I sell pleasure to the ladies., p. 79 - Paul Gavarni
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Specific Features
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Paul Gavarni
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
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