Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

Yves Klein
A conceptual assemblage by Yves Klein, featuring paint rollers coated in his signature International Klein Blue pigment, reflecting his focus on artistic process.
Yves Klein, a central figure in post-war European art, is widely recognised for his exploration of pure colour and the dematerialisation of the art object. This work, Assemblage of Used Paint Rollers, reflects his interest in the tools of artistic production as objects of aesthetic value in their own right. By elevating the humble paint roller, which he utilised to apply his signature International Klein Blue (IKB) pigment to canvases, Klein shifts the focus from the finished painting to the process of creation. The piece functions as a relic of his performance-based practice. Klein often engaged in public demonstrations where he applied paint to surfaces using rollers or even human models, treating the act of painting as a ritualistic event. The accumulation of these tools, saturated with the intense, synthetic ultramarine pigment he developed, serves as a physical record of his artistic labour. The monochromatic nature of the work removes traditional compositional elements, forcing the viewer to confront the materiality of the pigment and the industrial nature of the application tool. Klein sought to liberate colour from the constraints of form, aiming for a state of pure sensibility. In this assemblage, the rollers are not merely functional items; they are transformed into sculptural components that embody his philosophy of the void and the infinite. The repetition of the cylindrical forms creates a rhythmic visual experience, while the uniform coating of blue pigment unifies the disparate elements into a singular, cohesive statement. This work invites an examination of the relationship between the artist, the medium, and the resulting object, challenging conventional notions of what constitutes a work of art. It remains a significant example of his attempt to bridge the gap between everyday life and the realm of high art through the systematic application of his iconic colour.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Designed in Britain and printed to order at your nearest hub, reducing waste and shipping distance.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Patented a shade of blue, exhibited an empty gallery, sold invisible paintings for gold, and died at thirty-four after an eight-year career.
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