Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Aristotle - Luca Giordano
Regular price
£37.00 GBP
Sale price
£37.00 GBP
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A dramatic Baroque portrait of Aristotle by Luca Giordano, featuring the philosopher with a geometric text, rendered in a tenebrist style.
Luca Giordano, a prolific Neapolitan painter of the seventeenth century, produced this depiction of the philosopher Aristotle during his early career. The work reflects the influence of Jusepe de Ribera, particularly in the treatment of the subject as a weathered, elderly figure. Giordano employs a tenebrist approach, where the figure emerges from a dark, indistinct background, focusing the viewer's attention on the philosopher's expressive face and hands.
Aristotle is shown holding an open book, his finger pointing to a geometric diagram. The text on the page reads, 'IL SAPERE NELLE AVERSITAE REFVGGIO; NELLE SPERITA ORNAMENTO', which translates to 'Knowledge is a refuge in adversity, an ornament in prosperity'. This inclusion of moralising text is characteristic of the period's interest in combining classical philosophy with didactic visual art. The brushwork is confident and fluid, typical of Giordano's rapid execution, which earned him the nickname 'Luca fa presto' (Luca makes haste).
The palette is restricted to earth tones, including deep browns, ochres, and muted whites, which enhance the gravity of the subject. The lighting is dramatic, catching the texture of the skin and the folds of the simple garment, creating a sense of physical presence. This painting belongs to a series of philosopher portraits that Giordano executed, often using models from the streets of Naples to lend a sense of realism to his historical subjects. The composition is tight, focusing on the upper torso and the interaction between the figure and the book, ensuring the viewer engages directly with the philosophical message presented by the artist.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Aristotle - Luca Giordano
Regular price
From £37.00 GBP
Sale price
From £37.00 GBP
Regular price
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Luca Giordano
Giordano admitted he had a gold brush, a silver brush and a bronze brush. The quality of his paintings ranged from brilliant to mediocre depending on how much attention he gave them, and he gave attention unevenly because he painted faster than anyone in seventeenth-century Europe. His nickname was Luca fa presto: Luca paints quickly. He reportedly completed a large altarpiece in a single day.
He was born in Naples in 1634 and trained under Jusepe de Ribera. Around 1652 he travelled to Rome, where he absorbed Pietro da Cortona's Baroque dynamism and studied the High Renaissance masters. His other nickname, Proteus, came from his ability to produce convincing pastiches in the style of almost any painter: Durer, Titian, Veronese. The skill was admired rather than criticised; versatility was a virtue in Baroque Naples.
In 1692, Charles II of Spain invited him to Madrid, where he spent ten years painting frescoes in the Escorial, the Royal Palace and other buildings. His Spanish work is among his best: the scale suited his ambition, and the court demanded the gold brush. He returned to Naples in 1702 after the king's death.
His late paintings, lighter and less rhetorical than his Roman-influenced middle period, anticipated the Rococo. Fragonard admired them a generation later. Giordano was generous with money, particularly to poorer artists, and spent large sums on acts of patronage and charity. His output was enormous, running to thousands of works across oil and fresco. He died in Naples in 1705, at seventy.
He was born in Naples in 1634 and trained under Jusepe de Ribera. Around 1652 he travelled to Rome, where he absorbed Pietro da Cortona's Baroque dynamism and studied the High Renaissance masters. His other nickname, Proteus, came from his ability to produce convincing pastiches in the style of almost any painter: Durer, Titian, Veronese. The skill was admired rather than criticised; versatility was a virtue in Baroque Naples.
In 1692, Charles II of Spain invited him to Madrid, where he spent ten years painting frescoes in the Escorial, the Royal Palace and other buildings. His Spanish work is among his best: the scale suited his ambition, and the court demanded the gold brush. He returned to Naples in 1702 after the king's death.
His late paintings, lighter and less rhetorical than his Roman-influenced middle period, anticipated the Rococo. Fragonard admired them a generation later. Giordano was generous with money, particularly to poorer artists, and spent large sums on acts of patronage and charity. His output was enormous, running to thousands of works across oil and fresco. He died in Naples in 1705, at seventy.
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Fine Art Framed
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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