Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

A striking lithograph from Odilon Redon's 1899 Apocalypse series, capturing a celestial event through dramatic contrasts of light and shadow.
This lithograph is part of the Apocalypse de Saint-Jean, a series of twelve prints produced by Odilon Redon in 1899. The work interprets a passage from the Book of Revelation, depicting the celestial event with the artist's characteristic focus on shadow and light. Redon, a central figure in the Symbolist movement, moved away from the objective representation of nature to explore the internal world of dreams, memory, and the subconscious. The composition is dominated by a central, radiating light source that cuts through the surrounding darkness. This stark contrast is achieved through the technical capabilities of lithography, allowing for deep, velvety blacks and ethereal, glowing whites. The figures surrounding the falling star possess an ambiguous, almost insect-like quality, which is a recurring motif in Redon's 'noirs' period. These forms emerge from the gloom, suggesting a narrative that is psychological rather than strictly biblical. Redon's approach to the subject matter avoids literal illustration. Instead, he creates an atmosphere of unease and wonder. The lines are varied, shifting from dense, textured shading to fluid, sweeping strokes that define the trail of the falling star. By focusing on the emotional resonance of the text, Redon invites the viewer to engage with the image as a subjective experience. The print demonstrates his mastery of tonal range, using the medium to suggest textures and depths that transcend the flat surface of the paper. This piece remains a primary example of how late nineteenth-century artists utilised printmaking to explore themes of mysticism and the supernatural, moving beyond the constraints of traditional academic art.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
working exclusively in black for twenty years (floating eyeballs, severed heads, plants with teeth), then switching to colour so completely the Surrealists and the Fauves claimed different halves
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