Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

A striking Symbolist lithograph by Odilon Redon, featuring the face of Christ emerging from a radiant, textured sun.
This lithograph by Odilon Redon belongs to his series titled 'La Tentation de Saint Antoine' (The Temptation of Saint Anthony). Redon, a central figure in the Symbolist movement, often explored themes that bridged the gap between the physical world and the realm of dreams or spiritual visions. His work is characterised by a mastery of black and white, which he referred to as his 'noirs'. The image presents a singular, haunting vision: the face of Christ emerging from the centre of a radiant, sun-like orb. Redon employs a dense, scratchy application of lithographic ink to create the surrounding corona, which contrasts sharply with the delicate, almost ethereal rendering of the facial features. The stark black background pushes the luminous circle forward, creating a sense of depth and mystery. The lines radiating from the central disk suggest an intense, pulsating energy, typical of Redon's ability to imbue inanimate objects with a sense of consciousness or supernatural presence. Unlike the more literal religious depictions of his contemporaries, Redon focuses on the psychological and atmospheric impact of the subject. The face itself is rendered with soft, subtle gradations of tone, providing a quiet anchor amidst the chaotic, energetic marks of the sun's rays. This print demonstrates Redon's technical skill in lithography, where he manipulated the stone to achieve textures ranging from deep, velvety blacks to fine, gossamer-like lines. It is a work that invites contemplation, relying on the viewer's own imagination to complete the narrative suggested by the title. The composition remains one of the most recognisable examples of his late nineteenth-century graphic output, reflecting his interest in the intersection of mysticism and visual art.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
working exclusively in black for twenty years (floating eyeballs, severed heads, plants with teeth), then switching to colour so completely the Surrealists and the Fauves claimed different halves
This product has no reviews yet.