Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

A haunting lithograph by Odilon Redon from his 1899 Apocalypse series, depicting the binding of the dragon in deep, atmospheric tones.
This lithograph, titled 'And Bound Him a Thousand Years', is part of the 'Apocalypse de Saint-Jean' series, which Odilon Redon produced in 1899. The work depicts a scene from the Book of Revelation, specifically the binding of the dragon. Redon, a central figure in the Symbolist movement, was known for his 'noirs', a collection of charcoal drawings and lithographs that explored the boundaries between reality and the subconscious. The composition is dominated by deep, velvety blacks, a hallmark of Redon's technical mastery in lithography. A serpentine dragon, rendered with textured scales, occupies the centre of the frame. It is restrained by chains that anchor it to a dark, indistinct mass. Above the creature, a faint, ethereal light emanates from a singular point, providing the only contrast to the surrounding gloom. The atmosphere is one of quiet tension rather than overt action, reflecting the artist's interest in the psychological and spiritual dimensions of his subject matter. Redon's approach to the biblical narrative avoids literal depiction. Instead, he focuses on the emotional weight of the scene. The use of light and shadow creates a sense of mystery, drawing the viewer into a space that feels both ancient and dreamlike. The print demonstrates his ability to manipulate the lithographic stone to achieve a wide range of tonal values, from the deepest shadows to the subtle, ghostly highlights that define the dragon's form. This work remains a representative example of his late nineteenth-century graphic output, where he moved away from the starker contrasts of his earlier career toward a more nuanced, atmospheric style.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
working exclusively in black for twenty years (floating eyeballs, severed heads, plants with teeth), then switching to colour so completely the Surrealists and the Fauves claimed different halves
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