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Amygdalus Nana L. - A. J. Wendel

Sale price£20.00 Regular price£25.00
Product: Fine Art Poster
Size: A4 (21x29.7 cm)
Frame: -
✅ Available in stock
📦 Delivery 2–5 days

Amygdalus Nana, more commonly known as Dwarf Russian Almond, is depicted in Wendel's illustration with arching branches thickly clustered in vibrant, double-layered pink blossoms. The symmetrical, almost wreath-like arrangement gives the artwork a striking, ornamental feel. Ideal for feminine, romantic interior styles, this print adds softness and springtime vibrance to dressing rooms, hallways, or gallery wall collections. 

Arriving ready to hang in a solid wood frame with a natural finish, this wooden framed poster features acid free backing and clear protective glazing with UV and dust protection to preserve your art print. Lightweight yet sturdy, it fits standard off the shelf frames for effortless styling in living rooms, bedrooms or home offices. Perfect as a thoughtful gift for nature lovers, garden enthusiasts or anyone seeking refined home decor pieces, this framed poster will remain a joyful focal point for years to come.

- Ready-to-hang: Includes hanging kit, ready to hang directly on the wall.
- Frame Material: Durable pine wood.
- Frame Color: Black, white (smooth finish), natural, and dark brown wood (visible grain).
- Frame Measurements: 20-25mm (0.79"-0.98") thick, 10-14mm (0.4"-0.6") wide.
- Paper Weight: 170 gsm (65 lb), thickness: 0.19 mm (7.5 mils).
- Paper Finishing: Semi-glossy, enhances colors with a subtle shine.
- Protection: Shatterproof plexiglass protects the poster.
- Sustainable Paper: FSC-certified materials or equivalent.

What our customers say

Real reviews from real customers

Received the beautiful hummingbird print in black frame. Great service, stunning print, I will post a picture when the room is finished. Thank you
Jayne - Yorkshire
Delighted with this print! The colours are extremely vibrant, the imagine crystal clear and beautifully displayed in an attractive frame. Delivery was prompt and securely packaged. Highly recommended and will be using again!
Matt - Rutland
So pleased with my print and the frame it’s housed in. Fantastic quality and really adds character to the room. Communication was great and it was delivered quicker than estimated. Overall I’m extremely pleased and will recommend to friends. I’m already eying up my next purchase!
Nikki - London
Beautiful print, great quality and love it with the white frame. Delivery was really fast. I've had loads of compliments from visitors as I've hung it in my hallway as the first thing you see when you enter the house. Couldn't be happier.
Alice - Norfolk

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A. J. Wendel

A. J. Wendel

AJ Wendel (Abraham Jacobus Wendel, 1826–1915)
AJ Wendel was a celebrated Dutch lithographer, draughtsman and scientific illustrator whose work helped define 19th-century botanical and paleontological art. Born in Leiden on 31 October 1826, Wendel trained in classical drawing before joining the Arntz & Co. printing house, where he mastered multi-colour lithography techniques. His precision and eye for natural detail made him the go-to illustrator for leading botanists, including W.H. De Vriese on the 1847 landmark volume Descriptions et figures des plantes nouvelles et rares.

Over a career spanning more than six decades, Wendel produced hundreds of plates for major publications— from Carl Ludwig Blume’s Flora Javae et insularum adjacentium (1858) to the Annales du Jardin botanique de Buitenzorg in the late 1880s. His signature “AW” or “A.J. Wendel” appears on richly detailed wood-engraved portraits of Iris, Hibiscus, Viola and countless other species, combining scientific accuracy with artistic flair. In 1887 he also partnered with Boek- en steendrukkerij P.W.M. Trap, extending his influence into paleontological illustration and cartography.

AJ Wendel’s legacy endures in herbaria and museum collections worldwide, where his plates remain prized examples of Dutch botanical lithography. Today, his prints are sought after by collectors of Victorian‐era scientific art, valued both for their historic importance and timeless aesthetic. See more by A. J. Wendel →