A study by Jacob de Wit depicting four putti as an allegory of commerce, rendered in ink and wash with characteristic Rococo grace.

This drawing by Jacob de Wit depicts an allegory of commerce, represented through the playful interaction of four putti. De Wit, a Dutch artist active in the eighteenth century, gained recognition for his decorative schemes and his mastery of the 'witje' technique, which mimicked the appearance of marble reliefs. This particular work demonstrates his facility with ink and wash, capturing the soft, rounded forms of the figures with fluid, calligraphic lines.

The composition centres on the children, who are engaged with various objects associated with trade and industry. One putto holds a caduceus, the traditional attribute of Mercury, the god of commerce. The others interact with items such as a bale of goods or a ledger, grounding the mythological subject in the practical realities of Dutch mercantile life. The use of wash creates a sense of volume and depth, allowing the figures to emerge from the page with a sculptural quality.

De Wit was highly sought after for his ability to integrate such allegorical scenes into the interiors of grand houses. His work reflects the aesthetic preferences of the period, which favoured light, graceful compositions and classical themes. The drawing provides a glimpse into his preparatory process, showing the initial thoughts and structural lines that would eventually inform larger decorative commissions. The artist's signature is visible in the lower left corner, confirming his hand in this study. The work remains a clear example of the Rococo style, where elegance and clarity of form take precedence. It serves as a study of movement and anatomy, rendered with the confidence of an artist well-versed in the traditions of the Dutch Golden Age and its subsequent stylistic shifts.