A detailed hand-coloured engraving by Adriaen Collaert depicting the biblical journey of Abraham and Lot, based on a design by Maerten de Vos.

This hand-coloured copperplate engraving depicts the biblical departure of Abraham and Lot for the land of Canaan. Attributed to the Flemish engraver Adriaen Collaert, the work is based on an invention by the painter Maerten de Vos. The composition follows the conventions of late sixteenth-century printmaking, where figures are arranged with theatrical clarity against a backdrop of rolling hills and distant architecture.

In the foreground, Abraham and his companions stand beneath a large, central tree. Their attire is rendered with the stylised detail typical of the period, featuring layered garments and hats that reflect the artistic imagination of the era rather than historical accuracy. The figures exhibit the elongated proportions and graceful, somewhat artificial poses characteristic of the Mannerist style. To the left, a caravan of camels and attendants moves across the middle ground, providing a sense of scale and narrative progression.

The engraving technique employs fine, controlled lines to define form and texture, while the hand-applied colour adds a decorative quality to the scene. The Latin inscription at the base, 'Abraham proficiscitur in terram Chanaan cum Uxore et Fratre suo Lot', identifies the subject matter, referencing the twelfth chapter of Genesis. Below this, a French summary provides further context for the viewer. The work demonstrates the collaborative nature of print production in the Low Countries during this period, where designers, engravers, and publishers worked in concert to produce series of biblical illustrations for a wide audience. The print remains a clear example of the technical precision and narrative focus that defined the output of the Antwerp print workshops at the turn of the seventeenth century.