A nineteenth-century French lithograph from the satirical periodical Le Charivari, depicting a domestic scene of a sleeping hunter and his observant wife.

This lithograph originates from the nineteenth-century French satirical periodical Le Charivari, specifically volume 19, published between July and December 1850. The publication was a daily newspaper in Paris, known for its biting political and social commentary, often expressed through lithographic prints. These images provided a visual narrative of contemporary life, capturing the domestic habits, fashions, and social tensions of the period.

The scene, titled A la Campagne, depicts a domestic interior where a man, dressed in hunting attire, sleeps soundly on a sofa. His rifle rests against the furniture, and his game bag lies on the floor. Two women stand nearby, observing him with expressions of frustration or amusement. The accompanying caption provides the context for the scene, reflecting on the disappointment of marrying a hunter who prefers sleep to his wife's company. The text captures a moment of social observation, typical of the mid-nineteenth-century French middle-class experience.

The technical execution of the print demonstrates the capabilities of the lithographic process, which allowed for the reproduction of fine, sketch-like lines and subtle tonal variations. The artist employs a delicate hand to render the textures of the clothing, the furniture, and the figures, creating a sense of depth within the room. The composition is balanced, with the sleeping figure serving as the subject of the women's commentary. As a piece of historical ephemera, this print offers a glimpse into the visual culture of 1850s France, where humour and social critique were frequently intertwined in the public press. The work remains a representative example of the graphic output that defined the era's popular media, documenting the mundane realities of life through a lens of gentle irony.