A delicate 1845 watercolour study by Taras Shevchenko, documenting the residence of writer Ivan Kotliarevsky in Poltava.

This work by Taras Shevchenko depicts the residence of the Ukrainian writer Ivan Kotliarevsky in Poltava. Executed in 1845, the piece captures the modest vernacular architecture of the period alongside the more imposing presence of a nearby church. Shevchenko, known for his documentation of Ukrainian heritage, employs a delicate touch with his medium to render the textures of the wooden fencing and the surrounding terrain.

The composition relies on a clear perspective, guiding the eye from the foreground slope toward the structures. The artist uses light washes to suggest volume and shadow, maintaining a focus on the structural integrity of the buildings. The inclusion of the church provides a contrast in scale and architectural detail, reflecting the visual character of the region during the mid-nineteenth century. Shevchenko's approach is observational, prioritising the accurate representation of the site over decorative embellishment.

This print offers a view into the historical environment of Poltava. The muted palette and soft application of colour align with the artist's broader body of topographical and architectural sketches. It serves as a record of a specific location, documenting the domestic and religious architecture that defined the townscape. The work is representative of the artist's practice of travelling through the region to record sites of cultural and historical interest. Collectors of nineteenth-century European art will appreciate the clarity and historical context provided by this study.