A 1928 modernist oil painting by Tarsila do Amaral, featuring a stylised, doll-like figure set against a geometric, multi-coloured background.

A Boneca, painted in 1928, represents a distinct period in the career of Tarsila do Amaral. During this time, the artist moved away from the more rigid geometric structures of her earlier Cubist-influenced work, adopting a more fluid and anthropomorphic approach to form. The painting features a stylised figure, rendered with simplified, rounded shapes that evoke the appearance of a doll or a marionette. The figure occupies a space defined by flat, blocky planes of colour, which create a sense of shallow depth rather than traditional perspective. The palette is characteristic of the artist's mature period, utilising a combination of earthy tones and saturated primary colours. The soft pink of the figure's skirt contrasts with the deep blues and ochre backgrounds, creating a balanced visual tension. The composition is structured around the central figure, whose elongated limbs and simplified facial features reflect the artist's interest in reducing human form to its essential geometric components. This approach allows the viewer to focus on the interplay of shape and colour rather than realistic representation. Tarsila do Amaral was a central figure in the Brazilian Modernist movement. Her work often synthesised European avant-garde techniques with themes and aesthetics specific to her home country. In this piece, the reduction of the figure to a doll-like state suggests a playful yet deliberate exploration of identity and artifice. The clean lines and lack of unnecessary detail demonstrate her mastery of composition, where every element serves a specific purpose within the frame. This print captures the precise colour relationships and the flat, graphic quality of the original oil painting, making it a clear example of early twentieth-century Brazilian Modernism.