His own paintings often focus on the faces of his peers. He produced many portraits of fellow artists. These included Jacob Hendrik van Suchtelen and Cornelis Vermeulen. He also depicted members of his own circle, such as Frans van Eynden. These works use a restrained palette. He used clear lighting to define his subjects. He frequently employed the medallion format. This classical choice reflects the formal tastes of the late eighteenth century. His compositions are direct.

Collectors today value these prints for their historical honesty. They offer a window into the intellectual circles of the Netherlands during a period of political change. The clean lines of his neoclassical style suit modern interiors. His portraits of artists provide a sense of connection to the creative process. These images function as both art and historical record.