


Nicholas Roerich
Roerich designed the sets and costumes for Stravinsky's The Rite of Spring, whose 1913 Paris premiere caused a riot. Before and after the scandal, he painted thousands of Himalayan landscapes suffused with spiritual symbolism, and he drafted an international treaty for the protection of cultural monuments that was signed at the White House in 1935. The range is unusual: theatre, painting, diplomacy and mysticism, all from one career.

Biography
He was born in St Petersburg in 1874 and studied law and art simultaneously before choosing art. After the Revolution, he left Russia and eventually settled in the Kullu Valley of India, where he established a research institute. His paintings of Central Asian mountains, produced in enormous quantities, glow with a flat, saturated colour that reflects his interest in theosophy and Eastern spiritual traditions.
The Roerich Pact, his treaty for protecting cultural sites during wartime, was the precursor to the 1954 Hague Convention. He died in Naggar, Himachal Pradesh, in 1947, at seventy-three.
Timeline
- 1894Painted "Yellow arhaluk. Huntsman. Merry old gentleman. Musket of Moscow case. (Humorous triptych)" aged 20.
- 1907Painted "The Virgin Holidays. Introduction of the Virgin in Temple. Saint Anne and young Virgin Mary." aged 33.
- 1914Painted "The court of Prince Vladimir Galitsky (Study of scene design for "Prince Igor")" aged 40.
- 1936Painted "A depiction of the Cintamani being carried by the Lung Ta (Wind Horse)" aged 62.
- 1941Painted "Hermit (By the Misterious Stone unknown old man has settled)" aged 67.
Notable Works
Tap to view larger.
Nicholas Roerich prints
Hand-finished archival prints from Nicholas Roerich's body of work.
He Who Hastens - Nicholas Roerich
From £28.00
Vladimir campaign to Korsun (Red Sails) - Nicholas Roerich
From £28.00
Baltistan (The border with Ladakh) - Nicholas Roerich
From £28.00
Smolensk Walls - Nicholas Roerich
From £37.00
Waves of Fog - Nicholas Roerich
From £28.00
Building the Ships - Nicholas Roerich
From £28.00
Take Nicholas Roerich home.
See all Nicholas Roerich prints →Frequently Asked Questions
Nicholas roerich art movement?
According to Roerich, he disliked the term 'neo-nationalist', but much of his thought involved national artistic expression and creating art based on folk sources. He sought to create a 'Pantheon of beauty of many eras and peoples'.What is Nicholas Roerich's most famous work?
Nicholas Roerich (born in Saint Petersburg, 1874; died in India, 1947) produced over 7,000 paintings, so identifying one single "most famous work" is difficult. He is well-known for paintings inspired by Russian history and legend. Roerich studied at the Academy of Arts and the Law Faculty of the university simultaneously. He participated in archaeological excavations and travelled extensively, sketching and recording legends. His travels included journeys to old Russian cities, France, Italy, Switzerland, and Finland. Early in his career, Roerich created series such as "The Beginning of Rus," which includes "The Slavs Messenger: People Have Risen Against People" (1897), "The Idols" (1901), "Guests from Overseas," and "Building a City" (both 1902). Later, from the 1920s to the 1940s, he produced numerous works, including series like "The Dreams of Wisdom," "Saints," and "The Banners of the East." He also painted Mongol, Tibetan, and Himalayan mountain views. His paintings "Idols" (1901) and "Earthly Curse" (1907) reflect his interest in pagan monuments and ancient cultures. He combined imagination with impressions from archaeological digs.What should I know about Nicholas Roerich's prints?
Nicholas Roerich (1874-1947) was a Russian artist, writer, archaeologist, and public figure. He is known for his paintings of the Himalayas, and his interest in mysticism and Eastern religions. Roerich studied law and art in Saint Petersburg. Early in his career, he was associated with the Russian Symbolist movement. He designed sets and costumes for Sergei Diaghilev's Ballets Russes, including productions of "Prince Igor" (1909) and "The Rite of Spring" (1913). After the Russian Revolution, Roerich left Russia, living in Europe and the United States before embarking on expeditions in Asia. From 1925 to 1928, he led a trans-Himalayan expedition through Tibet, India, and Siberia. These travels greatly influenced his artistic output. The mountain series, in particular, became a recurring theme. Prints of Roerich's works are widely available. These reproductions allow access to his distinctive style, characterised by simplified forms and symbolic colour. His paintings often depict spiritual quests and the beauty of the natural world; the prints offer a way to engage with Roerich's vision.What style or movement did Nicholas Roerich belong to?
Nicholas Roerich (1874-1947) defies easy categorisation, though he is often associated with Symbolism and the Russian avant-garde. His early work displays Symbolist leanings, evident in its mystical themes and stylised forms. Roerich's involvement with the Ballets Russes, designing sets and costumes for productions like "The Rite of Spring" (1913), placed him within the orbit of the avant-garde. This ballet, with music by Igor Stravinsky, caused a sensation due to its radical departure from classical ballet conventions. However, Roerich's artistic vision extended beyond these movements. His travels in Asia, particularly the Himalayas, profoundly influenced his art. He developed a distinctive style characterised by simplified forms, flattened perspective, and a focus on spiritual themes. His paintings from this period often depict mountain ranges, rendered in cool blues, purples, and greens. These works possess a transcendental quality, reflecting Roerich's interest in theosophy and Eastern religions. While elements of Symbolism and the avant-garde can be detected, Roerich ultimately forged his own unique path.What techniques or materials did Nicholas Roerich use?
Nicholas Roerich studied at the Academy of Arts in Saint Petersburg from 1893 to 1897, under Arkhip Kuinji; he also studied in Fernand Cormon’s studio in Paris during 1900-01. He was active in the Russian Archaeological Society and lectured at the Archaeological Institute. Roerich produced over 7,000 paintings, many in series. His work includes historical subjects, such as "The Beginning of Rus: The Slavs Messenger: People Have Risen Against People" (1897), "The Idols" (1901), "Guests from Overseas, Building a City" (1902), and "The Slavs on the Dnieper" (1905). He also created series of Mongol, Tibetan, and Himalayan mountain views. Roerich’s techniques are not described in detail by the reference texts, but one passage notes the importance of the surface quality of paintings. Ancient painting is described as transparent, allowing the material underneath to show through, a technique found in Chinese, Japanese, and old Byzantine art. In contrast, late Egyptian art features thick paint application. Roerich also designed stage sets, including those for operas and plays.What was nicholas roerich famous for?
Nicholas Roerich is known for designing the sets and costumes for Stravinsky's The Rite of Spring, painting Himalayan mountains with spiritual symbolism, and drafting the Roerich Pact. This pact, signed at the White House in 1935, was an international treaty for the protection of cultural monuments.What was Nicholas Roerich known for?
Nicholas Roerich (1874-1947) was a Russian painter, writer, archaeologist, and public figure. He is best known for his paintings of the Himalayas, and his advocacy for the preservation of cultural artefacts. Roerich trained at the Imperial Academy of Arts in St Petersburg. Early in his career, he was associated with the Russian Symbolist movement. His artistic output includes theatrical set designs for Sergei Diaghilev's Ballets Russes, including productions such as "Prince Igor" (1909). Beyond his artistic endeavours, Roerich developed a philosophical system, Agni Yoga, sometimes called "Living Ethics". This synthesis of Eastern and Western spiritual traditions influenced his life and work. In the 1920s and 1930s, Roerich led expeditions through central Asia, including regions of India, China, and Tibet. These journeys provided inspiration for his paintings, which often depict mountain scenery and spiritual themes. He established the Urusvati Himalayan Research Institute in India, which studied various aspects of Tibetan culture, botany, and medicine. Roerich also promoted the Roerich Pact, an international agreement for the protection of cultural monuments during wartime; it was signed in 1935 by President Franklin Roosevelt and other world leaders.When did nicholas roerich died?
Nicholas Roerich died in 1947 at the age of 73.When did Nicholas Roerich live and work?
Nicholas Roerich was born in Saint Petersburg on 27 September 1874 (9 October, New Style). He studied at the Academy of Arts from 1893 to 1897, under Arkhip Kuinji, and simultaneously at the Law Faculty of the university. He also studied painting in Paris at Fernand Cormon’s studio in 1900-01. Roerich participated in archaeological excavations and travelled extensively, including a journey along the ancient route from the Varangians to the Greeks in 1899. He visited many old Russian cities in 1903-04, and travelled in Europe. From 1901, he was Secretary of the Society for the Encouragement of the Arts, then Director of the Drawing School attached to that society from 1906 to 1918. After 1916, Roerich lived mostly outside Russia. He moved to Serdobol (Sortavala), and after Finland separated from Russia in 1918, he lived abroad. He resided in London in 1919, and in the USA from 1920 to 1923. Later, in 1923, he went to India, leading expeditions to Sikkim and Bhutan (1924), Central Asia (1925-28), and China and Mongolia (1934-35). He died on 13 December 1947 in Nagara, in India's Kulu Valley.Where can I see Nicholas Roerich's work?
Nicholas Roerich's paintings are held by many museums internationally. The Nicholas Roerich Museum in New York City has a large collection of his works, including paintings from his Himalayan series. The State Museum of Oriental Art in Moscow also holds a significant number of Roerich's pieces. These include paintings, sketches, and drawings from various periods of his career. The State Russian Museum in Saint Petersburg has a collection of his early symbolist works, plus paintings from his travels. Smaller collections can be found in museums such as the Musée d'Orsay in Paris and the Philadelphia Museum of Art. Regional museums throughout Russia, especially in Siberia and areas near the Altai Mountains, sometimes have Roerich's paintings on display, often works related to his archaeological and ethnographic expeditions. Auction houses such as Sotheby's and Christie's occasionally offer Roerich's paintings for sale, providing another avenue to view his art, although these are temporary displays.Where did nicholas roerich live?
Nicholas Roerich lived in several places throughout his life, including St Petersburg where he was born. He also lived in Serdobol, London, the USA, and eventually settled in the Kullu Valley of India.Where was Nicholas Roerich from?
Nicholas Roerich was born in Saint Petersburg, Russia, on 27 September 1874 (9 October N.S.). From 1893 to 1897, he studied at the Academy of Arts and the Law Faculty of the university. He trained in painting at Fernand Cormon’s studio in Paris in 1900-01. Roerich participated in barrow excavations in Saint Petersburg Province and was a member of the Russian Archaeological Society. In 1916, he moved to Serdobol (Sortavala). Following Finland's separation from Russia in 1918, he moved abroad. He lived in London in 1919 and in the United States from 1920 to 1923. In 1923, he relocated to India. He organised expeditions to Sikkim and Bhutan (1924), Central Asia (1925-28), China and Mongolia (1934-35), and he founded the Urusvati Research Institute for Himalayan Studies in the Kulu Valley (1928). Roerich died on 13 December 1947 at Nagara in the Kulu Valley in India.
Sources
Editorial draws on the following primary and tertiary references for Nicholas Roerich.
- [1] wikidata Wikidata: Q208993 Used for: identifiers.
- [2] book Yevgenia Petrova (editor), Origins of the Russian avant-garde_ celebrating the 300th anniversary of St. Petersburg_ the Walters Art Museum, Baltimore (13 February-25 May 2003), Fine Arts Museums of San Francisco (29 June-21 September 2003) Used for: biography, museum holdings, stylistic analysis.
- [3] book Peter. Leek, Russian Painting Used for: biography, museum holdings, stylistic analysis.
- [4] book Charlene Spretnak (auth.), The Spiritual Dynamic in Modern Art _ Art History Reconsidered, 1800 to the Present Used for: biography, stylistic analysis.
- [5] book Howard, Jeremy, Buinska, Irena, Strother, Z. S., Vladimir Markov and Russian Primitivism Used for: biography, museum holdings, stylistic analysis.
Editorial overseen by Solis Prints. Sources verified 2026-07-02. Click a source for details, or hover over [N] in the page above to preview.
Editorial standardsMethodologyCorrectionsAI disclosureAbout the editorial team







