Skip to content Loading

Buy any 3 artworks and save 15%

A dear visitor by Max Kurzweil
The fisherman by Max Kurzweil
The Farrier by Max Kurzweil
Lady in Yellow Dress by Max Kurzweil
The cushion by Max Kurzweil
Seated nude facing right and meditating by Max Kurzweil
Mira Baue by Max Kurzweil
The Cushion by Max Kurzweil
1867–1916 · Cisleithania

Max Kurzweil

Kurzweil co-founded the Vienna Secession in 1897 alongside Klimt and served as editor and illustrator of Ver Sacrum, the movement's magazine. His graphic work helped define the Secession's visual identity as much as Klimt's paintings did.

Held in 2 museums4 sources

Portrait of Max Kurzweil

Biography

He was born in Bisenz (now Bzenec, Czech Republic) in 1867, studied at the Academy of Fine Arts Vienna and then at the Academie Julian in Paris. He was professor at the Frauenkunstschule, an academy for women artists in Vienna. His later paintings absorbed the influence of Munch and Hodler. He died in 1916 at forty-eight.

Timeline

  1. 1896Painted "A walk in the garden" aged 29.
  2. 1899Painted "Lady in Yellow Dress" aged 32.
  3. 1902Painted "Seated nude facing right and meditating" aged 35.
  4. 1902Painted "Martha Kurzweil before an easel" aged 35.
  5. 1915Painted "Tale of the doomed prince" aged 48.

Next stop

Browse the movements →

Every movement in the collection, from the Renaissance to Pop art.

Max Kurzweil prints

Hand-finished archival prints from Max Kurzweil's body of work.

See all Max Kurzweil prints →

Plan your visit to see Max Kurzweil →

Take Max Kurzweil home.

See all Max Kurzweil prints →

Frequently Asked Questions

  • What is Max Kurzweil known for?
    Max Kurzweil is known for his graphic work, which helped define the visual identity of the Vienna Secession movement. He also co-founded the Vienna Secession in 1897.
  • What is Max Kurzweil's most famous work?
    It is difficult to name Max Kurzweil's single 'most famous' work with certainty. He was associated with the Vienna Secession movement, and his art often explored themes of modern life, love, and relationships. He worked across several media, including painting, graphic arts, and design. Some better-known pieces include 'The Waves' (1903), a colour woodcut, and the oil painting 'Lady in Yellow' (1899). These works are typical of the era's artistic interest in capturing fleeting moments and psychological states. However, art appreciation can be subjective, and different works may resonate with different viewers. Kurzweil's broader contribution to the Secession and the development of modern Austrian art is perhaps more significant than any single piece.
  • What should I know about Max Kurzweil's prints?
    Max Kurzweil (1867-1916) was an Austrian artist associated with the Vienna Secession movement. While not as extensively documented as some of his contemporaries, Kurzweil produced prints, often lithographs and etchings, that reflect the artistic currents of his time. These prints often feature Symbolist and Jugendstil (Art Nouveau) elements, characterised by decorative lines and stylised forms. His subject matter included portraits, figures in interiors, and scenes from everyday life, rendered with a sense of melancholy and introspection. Kurzweil's prints were created during a period when printmaking was gaining recognition as a fine art form. Artists began to sign and number their prints, differentiating them from commercial reproductions. The rise of art periodicals and deluxe editions also created a market for original prints. These prints were sold through galleries such as J. B. Neumann in Berlin, which specialised in modern prints and represented many Expressionist artists.
  • What style or movement did Max Kurzweil belong to?
    The classification of artists into movements can be difficult; some practitioners work across varied styles. Styles emerge, take hold, and give way to others. According to some scholars, the style is the manner or device by which a work has been created. Every work possesses some artistic device; people perceive everything from the viewpoint of the style of their age. When a style appears, especially if given vivid expression, it can be incomprehensible, like the style of a remote age. A new style is created first in art, since all previous styles and life are refracted through it. Looking at art of the early 20th century, movements advocating colour and surface emerged, such as cubism and futurism. Cubism manifested in classical, academic, romantic, realist, and abstract forms. Futurism promoted dynamism.
  • What techniques or materials did Max Kurzweil use?
    Max Kurzweil was an Austrian artist associated with the Vienna Secession movement. He explored various media, including painting, graphic arts, and printmaking. Kurzweil is known for his use of colour woodcuts, a technique that allowed him to create images with strong lines and flat areas of colour. These prints often featured simplified forms and decorative patterns, reflecting the influence of Japanese art and the Secession's aesthetic principles. He produced colour woodcuts such as "Die blaue Vase" (1903). Pastels were another important medium for Kurzweil. He employed them to produce portraits and figure studies, often characterised by soft, delicate tones and a focus on capturing the sitter's likeness and mood. In his paintings, Kurzweil experimented with different styles, moving from naturalism to a more stylised and symbolic approach. His paintings often depict scenes from everyday life, portraits, and allegorical subjects.
  • What was Max Kurzweil known for?
    Max Kurzweil (1867-1916) was an Austrian artist associated with the Vienna Secession movement. He is known for symbolist and allegorical paintings, graphic works, and designs. Kurzweil studied at the Academy of Fine Arts Vienna, and later with William Unger. In 1897, he became a founding member of the Vienna Secession, an association of artists who rejected academic art. He exhibited regularly with the group, and his work appeared in the Secession's journal *Ver Sacrum*. His early paintings often depicted mythological or biblical scenes. Later, he turned to more contemporary subjects, such as portraits and scenes of modern life. Kurzweil's style is characterised by its elegant lines, muted colours, and dreamlike atmosphere. He often used symbolism to convey deeper meanings in his art. In addition to his painting, Kurzweil produced a number of graphic works, including posters, book illustrations, and etchings. He also designed furniture and other decorative objects. Kurzweil taught at his private school, and at the Frauenkunstschule (Women's Art School) in Vienna. He died by suicide in 1916.
  • When did Max Kurzweil live and work?
    Max Kurzweil (1867-1916) was an Austrian artist, printmaker, and teacher associated with the Vienna Secession movement. He was born in Moravia, now part of the Czech Republic, and he died in Vienna. Kurzweil studied at the Academy of Fine Arts Vienna. Christian Griepenkerl and Carl Wurzinger were among his instructors there. He later studied in Paris at the Académie Julian. In 1897, Kurzweil became a founding member of the Vienna Secession. This group of artists rejected the conservative academic art establishment. Other Secession members included Gustav Klimt and Koloman Moser. Kurzweil exhibited regularly with the Secession, and his work appeared in their journal *Ver Sacrum*. Kurzweil taught at the Vienna *Frauenkunstschule* (School of Art for Women) from 1905. His work included paintings, drawings, and colour woodcuts. These prints often featured figures in decorative settings. His best-known works include *The Wide Hat* (1902) and *Fifth Secession Exhibition* (1902). He died by suicide in 1916, following personal struggles.
  • Where can I see Max Kurzweil's work?
    To view works by Max Kurzweil, consider visiting museums that feature art from the Art Deco period. These include the MAK (Austrian Museum of Applied Art/Contemporary Art) in Vienna, Austria, and several museums in Germany: the Bauhaus Archive-Museum für Gestaltung (Design Museum), the Bröhan-Museum (State Museum for Art Nouveau, Art Deco, and Functionalism), the Kunstgewerbe (Museum of Decorative Arts) in Berlin, the Museum beim Markt (Badisches Landesmuseum) in Karlsruhe, and the Museum für Kunst und Gewerbe in Hamburg. In the United States, you might find his pieces at the Charles Hosmer Morse Museum of American Art in Winter Park, Florida; the Los Angeles County Museum of Art (LACMA); the Metropolitan Museum of Art in New York; the Minneapolis Institute of Arts; the Museum of Modern Art in New York; the Virginia Museum of Fine Arts in Richmond; or the Wolfsonian at Florida International University in Miami Beach. In Canada, the Royal Ontario Museum in Toronto may hold relevant works. In the UK, check the Brighton Museum & Art Gallery, the Geffrye Museum, the Manchester Art Gallery, the National Museums of Scotland (Royal Museum) in Edinburgh, and the Victoria & Albert Museum in London.
  • Where was Max Kurzweil from?
    Max Kurzweil was Austrian. He was born in 1867 in Bisenz, Moravia; at the time, Bisenz was part of the Austro-Hungarian Empire, but it is now Bzenec in the Czech Republic. Kurzweil studied at the Academy of Fine Arts Vienna. There, he was a student under Christian Griepenkerl and Carl Wurzinger. In 1894, he became a member of the Vienna Künstlerhaus, an association of artists. He left in 1897, along with other artists such as Gustav Klimt, to found the Vienna Secession. He married Marie Müller in 1905. She was a painter as well. They had two children: Franziska, born in 1903, and Martha, born in 1905. Kurzweil took his own life, along with his lover Helene Heger, in 1916.
  • Who did Max Kurzweil influence?
    It is difficult to identify specific artists directly influenced by Max Kurzweil, as his career was relatively short; he died in 1916. However, his work contributed to the broader artistic environment of the Vienna Secession and Austrian Symbolism, movements that impacted many artists. Kurzweil's involvement with the Secession, including his role as a co-founder of the magazine *Ver Sacrum*, exposed him to, and connected him with, numerous artists exploring new approaches to art at the turn of the century. His paintings and graphic work, often characterised by melancholic themes and stylised figures, participated in the Symbolist aesthetic that affected artists across Europe. While no major artist can be pinpointed as a direct follower of Kurzweil's style, his contributions to the Secession helped shape the artistic sensibilities of Vienna at the time. Artists associated with the Secession, such as Gustav Klimt and Egon Schiele, developed individual styles, but shared a common starting point in the Secession's principles; this suggests Kurzweil's work played a part in the development of early modernism in Austria.
  • Who influenced Max Kurzweil?
    Max Kurzweil was influenced by several artistic and intellectual movements of his time. The Viennese Secession, with its arguments for and against ornamentation, certainly played a role. The architect Otto Wagner, who argued that "what is practical may also be beautiful", was a major figure in this movement. Kurzweil would also have been exposed to the philosophical currents of the late 19th and early 20th centuries. These included neo-Romanticism, which emphasised emotions and intuition, and neo-Kantianism, which explored the relationship between appearance and essence. Thinkers such as Nietzsche, Bergson, and Husserl contributed to these discussions. Earlier in the 19th century, Josef Manes, a Czech artist who sought to promote Czech culture through his art, had a powerful and enduring effect on the artists who followed him. Manes's emphasis on symbolism and his poetic interpretation of nature resonated with many, including Kurzweil. Mikulas Ales, a follower of Manes, further developed these concepts.
  • Who was Max Kurzweil?
    Max Kurzweil (1867-1916) was an Austrian artist and designer. He is best known for his involvement in the Vienna Secession movement and his Symbolist-influenced paintings and graphic work. Born in Moravia, now part of the Czech Republic, Kurzweil studied at the Academy of Fine Arts Vienna. He later became a founding member of the Vienna Secession in 1897; this group of artists rejected the conservative academic art establishment. Kurzweil taught at the Secession's art school for several years. His artistic style evolved over time. Early works display influences from Impressionism and Naturalism. Later, he adopted a more Symbolist approach, often depicting melancholic figures in stylised settings. Kurzweil's work often explored themes of love, death, and the human condition. He created paintings, drawings, and prints, and he also designed posters and other graphic material. In 1916, Kurzweil died by suicide, along with his student and lover Helene Heger. His work is held in major museum collections, including the Belvedere in Vienna.

Sources

Editorial draws on the following primary and tertiary references for Max Kurzweil.

  1. [1] wikidata Wikidata: Q317883 Used for: identifiers.
  2. [2] book guggenheim-expger00neug Used for: biography.
  3. [3] book Husslein-Arco, Agnes, editor; Koja, Stephan, editor; Law, Rebecca (Translator), translator; McInnes, Robert (Translator), translator; Somers, Nick, translator; Monet, Claude, 1840-1926. Paintings. Selections; Österreichische Galerie Belvedere, h Used for: biography.
  4. [4] book Masterpieces of western art : a history of art in 900 individual studies from the Gothic to the present day Used for: biography.

Editorial overseen by Solis Prints. Sources verified 2026-07-15. Click a source for details, or hover over [N] in the page above to preview.

Keep exploring

Your cart
Rated 4.7 on Judge.me
Your cart is empty
Have an account? Log in to check out faster.
Continue shopping Continue shopping
Cart total £0.00 GBP
Product image Product information Quantity Product total