IIe Livre de Serrurerie (c. 1775) by Louise Catherine Breslau
Portrait of Julie Feurgard (Under the Apple Trees) by Louise Catherine Breslau
IIIe Livre de Serrurerie   (c. 1775) by Louise Catherine Breslau
IIIe Livre de Serrurerie   (c. 1775) by Louise Catherine Breslau
IIIe Livre de Serrurerie   (c. 1775) by Louise Catherine Breslau
Pensive life by Louise Catherine Breslau

Louise Catherine Breslau

1856–1927 · Swiss

Breslau took up drawing while bedridden with chronic asthma as a child. The illness, which constrained her physically for life, did not prevent her from becoming the first foreign woman to receive the French Legion of Honour, a colleague of Degas, and one of the most respected portrait painters in late nineteenth-century Paris.

Key facts

Lived
1856–1927, Swiss
Movement
Works held in
11 museums[1]

Biography

She was born in Munich in 1856 and moved to Zurich before studying at the Academie Julian in Paris. At Julian she was a rival of the Russian diarist Marie Bashkirtseff, and in 1879 she debuted at the Paris Salon as the only student from the Julian women's atelier to be accepted. Her portraits combine Impressionist handling of light with academic solidity of form.

She spent over forty years with the artist Madeleine Zillhardt, who served as her muse and lifelong companion. Their relationship was acknowledged within artistic circles but not publicly discussed, as was common for the period. Breslau exhibited steadily throughout her career and was also an accomplished pastellist and draughtswoman. She spent over forty years with the artist Madeleine Zillhardt, who served as her muse and lifelong companion. Their relationship was acknowledged within artistic circles but not publicly discussed.

Breslau exhibited steadily throughout her career and was also an accomplished pastellist and draughtswoman, whose technical range extended well beyond the portraits for which she is primarily remembered. She died in 1927, at seventy.

Timeline

  1. 1856Born Maria Luise Katharina Breslau in Munich into a German Jewish family of Polish descent. The family moved to Zurich in 1858 when her father took a university post.
  2. 1874At 18, travelled to Paris to study at the Academie Julian after recognising that Switzerland offered limited opportunities for serious artistic training.
  3. 1879At 23, debuted at the Paris Salon with the portrait Tout passe, the only student from the Julian women's atelier to exhibit that year.
  4. 1886At about 30, opened her own atelier in Paris and became a regular contributor and medal winner at the Salon, gaining the respect of figures like Degas.
  5. 1901At 45, awarded the Legion d'Honneur in Paris, becoming one of the few women artists to receive the distinction at that time.
  6. 1927Died aged 70. The following year the Ecole des Beaux-Arts in Paris honoured her with a retrospective exhibition. She was buried alongside her mother in Baden, Switzerland.

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Frequently Asked Questions

  • What is Louise Catherine Breslau known for?
    Louise Catherine Breslau is primarily known for her portraits. She was also an accomplished pastellist and draughtswoman, whose technical range extended beyond portraiture.
  • What is Louise Catherine Breslau's most famous work?
    It is difficult to identify a single "most famous work" for Louise Catherine Breslau, as fame is subjective and fluctuates. However, she achieved considerable recognition during her lifetime, particularly for her portraits and depictions of domestic life. Without specific titles mentioned repeatedly in the provided texts, it's challenging to pinpoint one artwork that surpasses all others in recognition. The passages do not contain information about Breslau's work. They list many works by Edvard Munch and Peter Paul Rubens, but these are not relevant to Breslau. Further research beyond these passages would be needed to determine Breslau's most celebrated painting or drawing with certainty. It is possible that her notability rests on the collective appreciation of her oeuvre, rather than a single, iconic piece.
  • What should I know about Louise Catherine Breslau's prints?
    Louise Catherine Breslau (1856-1927) was a German-Swiss artist who achieved recognition in the French Salon system. While she is most known for her paintings, she also produced prints, including etchings. When considering Breslau's prints, it is helpful to understand some basics of printmaking. Prints are often produced in editions, and a limited edition has a specific, set number of prints. These prints are usually numbered to indicate their place in the sequence, such as 35/100, where 100 is the total number and 35 is the print number. Some artists also create artist's proofs, marked "AP", which are outside the main edition. Different printmaking techniques yield different visual qualities. Etching, for example, involves using acid to create lines on a metal plate, which is then inked and printed. Mezzotint, another technique, involves roughening the entire plate and then smoothing areas to create an image. Photogravure is a photographic process used to create intaglio prints. The choice of technique influences the final appearance and feel of the print.
  • What techniques or materials did Louise Catherine Breslau use?
    Louise Catherine Breslau was known for her work in pastels, oil, and watercolour. Pastel was a favoured medium, allowing her to capture delicate nuances of light and shadow. She also used oil paints to create portraits and interior scenes. Her oil painting technique involved careful layering and blending of colours. Breslau often worked on strong, fairly coarse canvas, which was unusual at the time. Like many artists, she would begin with a graphite or chalk drawing to establish the contours of her composition. She then reinforced these lines with thin shadows executed in a dark brown wash. Modelling was built up in carefully gradated tones of light and shade. Flesh areas were smoothed and blended with a fan brush while the paint was still wet. She often used white in her shadows, creating a low-relief flatness. Breslau's paintings often feature flat areas of bright colour, which had a visually seductive effect.
  • What was Louise Catherine Breslau known for?
    Louise Catherine Breslau (1856-1927) was a German-Swiss artist known for her portraits and interior scenes. Although she was born in Germany, she spent most of her career in France. Breslau's style is characterised by its realism and attention to detail; she often depicted women and children in domestic settings. Breslau gained recognition in the late 19th century, exhibiting at the Paris Salon. Her work often explored themes of femininity, motherhood, and the everyday lives of women in bourgeois society. She captured intimate moments and psychological nuances in her portraits, establishing herself as a respected artist in the male-dominated art world of her time. She was the first woman not of French birth to receive a medal at the Paris Salon.
  • When did Louise Catherine Breslau live and work?
    Louise Catherine Breslau was born in Zurich in 1856 and died in Neuilly-sur-Seine, France, in 1927. Breslau spent much of her career in Paris. In 1868, her mother moved the family to Lausanne so that Louise and her sister could receive a better education than was available to them in Switzerland. In 1876, Breslau was admitted to the Académie Julian in Paris, where women were permitted to study. She was a contemporary of artists like Gustav Klimt, who, in 1898, participated in the first exhibition of the Secession in Vienna. Breslau exhibited extensively during her lifetime. For example, ten of her paintings were included in the Salon des Indépendants in both 1896 and 1897.
  • Where can I see Louise Catherine Breslau's work?
    Louise Catherine Breslau's works can be viewed in numerous European museums. In Germany, her art is held at the Brucke Museum and the Nationalgalerie, both in Berlin; the Kunsthalle and Sammlung Bottcherstrasse, Bremen; the Ludwig Museum and Wallraf-Richartz Museum, Cologne; the Folkwang Museum, Essen; the Kunsthalle, Hamburg; the Niedersachsisches Landesmuseum, Hanover; the Stadtische Kunsthalle, Mannheim; the Bayerische Staatsgemaldesammlungen, Munich; the Stiftung Ada und Emil Nolde, Seebull; and the Von der Heydt Museum, Wuppertal. Other museums that hold works by Breslau include the Staatliche Museen, Berlin; the Herzog Anton Ulrich-Museum, Braunschweig; the Gemaldegalerie Alte Meister, Dresden; the National Gallery of Scotland, Edinburgh; the Galleria degli Uffizi, Florence; the Stadel Museum, Frankfurt am Main; the National Museums Liverpool, Walker Art Gallery, Liverpool; the British Library, British Museum, National Gallery, National Portrait Gallery, Tate, UCL Art Collections, and Victoria and Albert Museum[1], all in London; the Museo Thyssen-Bornemisza, Madrid; the Staatliche Graphische Sammlung, Munich; the Ashmolean Museum and Bodleian Library, Oxford; the Musée du Louvre, Paris; the Royal Cabinet of Paintings, The Hague; and the Kunsthistorisches Museum, Vienna.
  • Where was Louise Catherine Breslau from?
    Louise Catherine Breslau was not Swiss, but German. She was born in Munich in 1856. Breslau studied at the Académie Julian, in Paris. There, she was in competition with other female artists, such as Marie Bashkirtseff. Breslau was only the third woman to be admitted to the Académie Julian, which was unusual at the time. She was taught by Tony Robert-Fleury and Jules Joseph Lefebvre. She exhibited at the Paris Salon, winning a gold medal in 1881. She is known for portraits and interior scenes. Breslau married the painter, Professor Carl Leopold Suter, in 1888. After marrying Suter, she occasionally used the name, Louise Catherine Breslau-Suter. She died in 1927, in Neuilly-sur-Seine.
  • Who did Louise Catherine Breslau influence?
    It is difficult to identify specific artists directly influenced by Louise Catherine Breslau. Art-historical scholarship has only recently begun to examine her contributions in detail. Breslau's work, which often depicted domestic scenes and portraits of women, certainly resonated with many contemporary female artists. Her success in the male-dominated art world provided an example for women who sought to pursue artistic careers. Breslau exhibited widely, including at the Salon in Paris, and gained recognition during her lifetime. This visibility helped to create opportunities for other women artists. Some scholars suggest a connection between Breslau's intimate portrayals of women and the work of later artists who explored similar themes. However, concrete evidence of direct influence, such as correspondence or studentship, remains limited. Further research may reveal more specific connections between Breslau and subsequent generations of artists.
  • Who influenced Louise Catherine Breslau?
    Louise Catherine Breslau (1856-1927) was exposed to a range of artistic styles and practitioners throughout her career. As a student at the Académie Julian in Paris, she was taught by Tony Robert-Fleury and Jules Joseph Lefebvre. Both were academic painters, and their instruction would have emphasised traditional techniques and subject matter. Breslau's work also shows an awareness of Impressionism and Post-Impressionism. Although not formally associated with those movements, she shared some of their interests in depicting modern life and exploring colour and light. Her portraits, in particular, demonstrate a concern with capturing the individual characteristics of her sitters, a trend seen in the work of artists like Edgar Degas. Breslau's friendships also played a role in her artistic development. She formed close relationships with other women artists, including Madeleine Zillhardt, and these connections provided support and inspiration. Her circle included writers and intellectuals, exposing her to new ideas and perspectives that influenced her artistic choices.
  • Who was Louise Catherine Breslau?
    Louise Catherine Breslau (1856-1927) was a German-Swiss painter, printmaker, and pastel artist, working primarily in France. Born in Zurich, Switzerland, to a German family, Breslau defied convention by pursuing formal artistic training at the Académie Julian in Paris, at a time when it was unusual for women to do so. Breslau is best known for her portraits and interior scenes, often depicting women in domestic settings. She achieved recognition during her lifetime, exhibiting at the Salon and receiving commissions for portraits from prominent figures. Her work often explored themes of female identity and the everyday lives of women in Parisian society. Although associated with the Post-Impressionist movement, Breslau developed her own style, characterised by subtle colour harmonies and a focus on capturing the psychological depth of her subjects. She was the first woman artist to receive a gold medal at the Paris Salon. Breslau married the painter, Professor Hugo von Kauffmann. She died in Munich in 1927.
  • Why are Louise Catherine Breslau's works important today?
    Louise Catherine Breslau (1856-1927) was a German-Swiss artist who achieved recognition in the late 19th and early 20th centuries. Breslau's work offers insights into the lives of women during this period. Her focus on domestic scenes and portraits provides a female perspective often absent from mainstream art history. Breslau navigated the male-dominated art world of Paris, exhibiting at the Salon and gaining acceptance. This was a significant accomplishment for a woman artist at the time. Her success challenged conventional gender roles and paved the way for future generations of female artists. Her paintings and pastels often depict intimate moments of family life, particularly scenes involving women and children. These works offer a glimpse into the social dynamics and emotional bonds within the domestic sphere. Breslau's attention to detail and her ability to capture the nuances of human expression make her work compelling. Her art provides valuable social commentary on the experiences of women in a rapidly changing society.

Sources

Editorial draws on the following primary and tertiary references for Louise Catherine Breslau.

  1. [1] museum Victoria and Albert Museum Used for: museum holdings.
  2. [2] book Masterpieces of western art : a history of art in 900 individual studies from the Gothic to the present day Used for: biography.
  3. [3] book Post-impressionism : cross-currents in European painting Used for: biography.
  4. [4] book Post-impressionism : cross-currents in European painting Used for: biography.

Editorial overseen by Solis Prints. Sources verified 2026-05-31. Click a source for details, or hover over [N] in the page above to preview.

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