His artistic approach relies on the use of gouache and watercolour to define form. He does not use the medium to create hazy or impressionistic effects. His work on Waltham Cross demonstrates an interest in the geometry of the stone. Every angle is calculated. The result is a series of images that feel solid and permanent. This style bridges the gap between technical draughtsmanship and fine art.

Modern collectors are drawn to the stillness in these compositions. The prints provide a clear view of English history without the distraction of modern clutter. They offer a way to bring architectural heritage into a domestic space. The work is direct. It appeals to those who appreciate accuracy and a muted colour palette. These pieces are often chosen for their ability to anchor a room with a sense of historical scale.