The most distinctive feature of his work is the use of a golden-brown wash known as Bisschop-ink. This specific ink allowed him to capture the play of light on surfaces with a warm, sepia-like tone. He avoided the heavy ornamentation common in baroque art, preferring instead a clean and factual style. His etchings often focused on the human form, as seen in his studies of men and boys in fancy dress. He used light and shadow to define volume rather than relying on heavy outlines.

These works appeal to modern collectors because of their architectural clarity and muted colour. The scenes of windmills and manor gardens provide a calm, observational perspective on the Dutch Republic. His sketches of horses and figures are direct and lack the sentimentality found in later periods. They offer a sophisticated aesthetic that complements a wide range of home decor styles. The historical accuracy of his subjects makes them a thoughtful choice for those who appreciate classical influences.