A Burial at Ornans by Gustave Courbet
Deer by Water by Gustave Courbet
The Stonebreakers by Gustave Courbet
Roe Deer at a Stream by Gustave Courbet
Paysage aux lavandières by Gustave Courbet
Les rochers d'Ornans ou Les rochers de Mouthier by Gustave Courbet
Lying roe by Gustave Courbet
Magnolias by Gustave Courbet
La vague by Gustave Courbet
Hilly landscape by Gustave Courbet
La dormeuse by Gustave Courbet
Chasseurs dans la neige by Gustave Courbet

Gustave Courbet

1819–1877 · French

Courbet arrived in Paris pretending to be an ignorant peasant. He was not. He came from a prosperous family in Ornans, in the Franche-Comte, and had been well educated. But the persona suited his purposes: a country painter who showed city people what reality looked like, without the polish they had been taught to expect.

Key facts

Lived
1819–1877, French
Movement
Works held in
13 museums[1]

Biography

He studied briefly under Charles de Steuben and Nicolas-Auguste Hesse but largely taught himself by copying Velazquez, Rembrandt, Rubens, Caravaggio and Zurbaran in the Louvre. The list of influences is telling: painters who treated flesh as flesh and light as physics, not decoration.

A Burial at Ornans, exhibited at the 1850 Salon, was a painting of a village funeral on a canvas the size normally reserved for history paintings. The critics were offended. The people in it were too ordinary, too ugly, too real. Courbet said the painting was the burial of Romanticism.

He painted L'Origine du Monde in 1866, a close-up of a woman's body that was hidden in private collections for over a century before the Musee d'Orsay acquired it in 1995. The painting was commissioned by the Ottoman diplomat Khalil Bey. For most of its existence it was kept behind a curtain or another painting.

He joined the Paris Commune in 1871 and was blamed for the demolition of the Vendome Column, a Napoleonic monument. When the Commune fell, he was imprisoned for six months and then ordered to pay three hundred thousand francs for the column's reconstruction. He fled to Switzerland and died in exile in 1877, aged fifty-eight. The bill was never settled. His sisters tried to pay it from the sale of his remaining paintings. The government seized most of them instead.

Timeline

  1. 1819Born in Ornans, eastern France, to a prosperous farming family.
  2. 1839At 20, moved to Paris, rejecting formal training and instead studying Old Masters at the Louvre.
  3. 1849At 30, painted A Burial at Ornans and The Stone Breakers, monumental canvases that scandalised the Paris art establishment.
  4. 1855At 36, erected his own Pavilion of Realism opposite the Paris World's Fair, declaring himself leader of the Realist movement.
  5. 1871At 52, elected head of the arts commission during the Paris Commune. After its collapse he was imprisoned for six months.
  6. 1877Died aged 58 in La Tour-de-Peilz, Switzerland, from liver disease, one day before his Column debt instalment was due.

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Frequently Asked Questions

  • Gustave courbet art movement?
    Gustave Courbet is known as the father of the Realist movement. He defied the conventional taste for history paintings and poetic subjects, insisting that "painting is essentially a concrete art and must be applied to real and existing things."
  • Gustave courbet famous for?
    Gustave Courbet is known as the father of the Realist movement. He defied the conventional taste for history paintings and poetic subjects, insisting that "painting is essentially a concrete art and must be applied to real and existing things."
  • Is gustave courbet realism?
    Gustave Courbet established his own pavilion, called Realisme, to show his works because he was dissatisfied with the space allotted to him at the Universal Exhibition of 1855. One of the paintings exhibited was The Painter's Studio, which proved that secular art could now convey the deep seriousness previously expected only from religious paintings.
  • Was gustave courbet a realist?
    Gustave Courbet established his own pavilion, called Realisme, to show his works because he was dissatisfied with the space allotted to him at the Universal Exhibition of 1855. One of the paintings exhibited was The Painter's Studio, which proved that secular art could now convey the deep seriousness previously expected only from religious paintings.
  • What was gustave courbet known for?
    In 1847, Gustave Courbet visited Holland, where he was inspired by the paintings of everyday people by Frans Hals, Rembrandt, and Jan Steen. Courbet wanted to do the same kinds of paintings in France.
  • When did gustave courbet die?
    Gustave Courbet died in 1877 at the age of 58.
  • Who is gustave courbet?
    Gustave Courbet established his own pavilion, called Realisme, to show his works because he was dissatisfied with the space allotted to him at the Universal Exhibition of 1855. One of the paintings exhibited was The Painter's Studio, which proved that secular art could now convey the deep seriousness previously expected only from religious paintings.
  • Why did gustave courbet start realism?
    Gustave Courbet started the Realist movement because he defied conventional taste for history paintings and poetic subjects. He insisted that "painting is essentially a concrete art and must be applied to real and existing things." When asked to paint angels, he replied, "I have never seen angels. Show me an angel and I will."
  • When was gustave courbet born?
    Gustave Courbet was born in 1819 in France. Gustave Courbet died in 1877, aged 58.
  • What is gustave courbet most famous painting?
    Success came Gustave Courbet's way at the Salon of 1849 with After Dinner at Ornans. It was an atmospheric interior scene that won him a handful of good reviews, a Salon medal, and a feast in his honour in his hometown.
  • What did gustave courbet do?
    In 1847, Gustave Courbet visited Holland, where he was inspired by the paintings of everyday people by Frans Hals, Rembrandt, and Jan Steen. Courbet wanted to do the same kinds of paintings in France.
  • What is gustave courbet art style?
    Gustave Courbet established his own pavilion, called Realisme, to show his works because he was dissatisfied with the space allotted to him at the Universal Exhibition of 1855. One of the paintings exhibited was The Painter's Studio, which proved that secular art could now convey the deep seriousness previously expected only from religious paintings.

Sources

Editorial draws on the following primary and tertiary references for Gustave Courbet.

  1. [1] museum The Mesdag Collection Used for: museum holdings.
  2. [2] museum Galleria Nazionale d'Arte Moderna e Contemporanea di Roma Used for: museum holdings.
  3. [3] museum Museum of Fine Arts of Reims Used for: museum holdings.
  4. [4] museum Paisley Museum Used for: museum holdings.
  5. [5] museum Musée des beaux-arts de Marseille Used for: museum holdings.
  6. [6] museum Musées Nationaux Récupération Used for: museum holdings.
  7. [7] book Carol Strickland and John Boswell, The Annotated Mona Lisa _ba crash course in art history from prehistoric to post-modern _cCarol Strickland and John Boswell Used for: biography.
  8. [8] book Carol Strickland and John Boswell, The Annotated Mona Lisa _ba crash course in art history from prehistoric to post-modern _cCarol Strickland and John Boswell_1 Used for: biography.
  9. [9] book Carol Strickland and John Boswell, The Annotated Mona Lisa _ba crash course in art history from prehistoric to post-modern _cCarol Strickland and John Boswell_2 Used for: biography.

Editorial overseen by Solis Prints. Sources verified 2026-06-08. Click a source for details, or hover over [N] in the page above to preview.

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