His style is defined by a controlled use of line and wash. In works like Riviermond and Kerkje tussen bomen, he uses ink to define structure and washes to suggest depth. He often placed small figures or boats in the foreground to provide a sense of scale against architectural or natural features. This method creates a clear spatial progression. He avoided the heavy ornamentation common in earlier Mannerist styles.

Modern collectors value these prints for their architectural clarity and muted colour palettes. The compositions feel balanced and calm. They suit contemporary interiors that favour neutral tones and historical accuracy. A print of Gezicht op de burcht Frankenberg provides a window into seventeenth-century Europe without being decorative. These pieces offer a sense of quietude and historical perspective.