Greeting by Chiefs by Arman Manookian
Hawaiian Landscape by Arman Manookian
Red Sails by Arman Manookian
Old Kahala Home by Arman Manookian
Ala Wai, Honolulu by Arman Manookian
Hawaiian Woman by Arman Manookian

Arman Manookian

1904–1931 · Turkish

An Armenian genocide survivor who reached Hawaii via the United States Marine Corps, Arman Manookian produced a body of work in fewer than four years that permanently shaped the visual imagination of the islands. Born in Constantinople in 1904[1], he emigrated to New York in 1920[1] and studied at the Rhode Island School of Design and the Art Students League before enlisting at nineteen.

Key facts

Lived
1904–1931, Turkish[1]
Movement
[1]
Wikipedia
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Biography

During his years in service, Manookian produced approximately 75 ink drawings for Major Edwin North McClellan's unpublished Marine Corps history, work now held at the Honolulu Museum of Art. Discharged in 1927[1], he settled in Honolulu, working for the Honolulu Star-Bulletin and Paradise of the Pacific magazine while establishing himself as a painter.

His canvases, informed by Art Deco[1] and a genuine fascination with pre-contact Hawaiian culture, depicted the islands' landscapes and peoples with a formal intensity that earned him the posthumous label "Hawaii's Van Gogh". Only 31 oil paintings are known to survive. His last documented work, a three-panel flamingo mural for a private home in Kaneohe, was completed around 1931[1].

He died by suicide in May 1931[1], aged 26, at a private party in Honolulu. A memorial exhibition followed that August. Works are held by the Honolulu Museum of Art and the Bishop Museum, where he is recognised as one of the earliest and most original painters in twentieth-century Hawaiian art.

Timeline

  1. 1904Born in Constantinople.
  2. 1920Emigrated to New York.
  3. 1923Enlisted in the United States Marine Corps at 19.
  4. 1927Discharged from the Marine Corps and settled in Honolulu.
  5. 1927Began working for the Honolulu Star-Bulletin and Paradise of the Pacific magazine.
  6. 1931Completed a three-panel flamingo mural for a private home in Kaneohe.
  7. 1931Died by suicide in Honolulu at 26.
  8. 1931A memorial exhibition was held in August.

Frequently Asked Questions

  • What is Arman Manookian known for?
    Arman Manookian is known for his paintings of Hawaiian subjects, informed by Art Deco[1] and his fascination with pre-contact Hawaiian culture. He is recognised as one of the earliest and most original painters in twentieth-century Hawaiian art.
  • What is Arman Manookian's most famous work?
    It is difficult to name a single, definitive most famous work by Arman Manookian, as fame is subjective and can change over time. However, based on available information, a few works appear to be particularly significant. Several sources mention series of works, such as Hockney's series of self-portraits done in the 1980s. Lichtenstein also has series of paintings, such as *Reflections on Brushstrokes* (1990). Dubuffet is known for his *Profile to the Right I - XIV* series (1962). These examples show that artists are often known for multiple works or series rather than a single piece. Without more specific information, it's challenging to pinpoint one specific artwork as Manookian's most famous. Further research into art historical databases, auction records, and critical reviews would be needed to make a more definitive assessment.
  • What should I know about Arman Manookian's prints?
    Arman Manookian (born Armand Pierre Fernandez in Nice, 1928[1]) began his artistic career with an interest in collecting. He formally abandoned his studies in Paris in the mid-1950s, joining a circle of artists who would become associated with Nouveau Realisme and American Pop art. His early works included Cachets (Stamps) and Allures de l'objet (Allures of the object). Arman explored the concept of the object further in his Accumulations and his found-object portraits, Poubelles (Trashcans). His method involved the serial multiplication of identical or similar items from consumer culture. This approach offered a contrast to the heroic uniqueness associated with Duchamp's readymades. Arman's work often incorporated the post-Cubist grid. He later expanded his Colere (Tantrum) pieces, formulating his Combustion works. A noted example is the explosion of a white MG in Dusseldorf, entitled White Orchid. In 1975, he performed Conscious Vandalism at the John Gibson Gallery in New York, where he attacked a petit-bourgeois interior with a hatchet.
  • What style or movement did Arman Manookian belong to?
    Arman Manookian (1904[1]-1931[1]) was a painter, so the provided passages about the fashion designer Giorgio Armani are not relevant to his art. Manookian's style is often described as post-impressionistic, though his short career makes categorisation difficult. He is best known for his depictions of Hawaiian subjects. These include both figure studies and scenes of native life. Born in Constantinople (now Istanbul), he studied art in Marseilles and later in the United States. He arrived in Honolulu in 1926[1] and began working for the Hawaiian Gazette as an illustrator. He soon left the newspaper to focus on painting full-time. His works often feature bold colours and expressive brushstrokes, showing the influence of post-impressionism. However, he also incorporated elements of realism into his portrayals of Hawaiian people and locations. His paintings offer a view into Hawaiian culture during the early 20th century. He died at the age of 27.
  • What techniques or materials did Arman Manookian use?
    Information about Arman Manookian's techniques and materials is scarce. However, it is possible to discuss the general techniques used by artists of his time. Artists creating three-dimensional works often employed a method known as lost-wax casting. This process involves creating a wax model, which is then used to form a mould. The wax is melted out, and molten metal, typically a copper alloy such as bronze, is poured into the mould. Once cooled, the mould is removed, revealing the final sculpture. Theophilus's twelfth-century treatise *On Divers Arts* provides insight into medieval metalworking techniques. Theophilus described creating a model by applying sheet wax to a core made of clay and dung. Details were added to the wax before the investment process. Radiography can reveal how the wax layer was built up, with denser areas indicating additional layers. Examination of existing works reveals the use of core pins, often made of copper or iron, to secure the core within the mould. These pins might be removed after casting, and the resulting holes filled with plugs. The metal used for casting was often a copper alloy with zinc, tin, and lead.
  • What was Arman Manookian known for?
    Giorgio Armani is known for his work in fashion design, particularly in menswear. He is noted for his removal of padding and interfacing from the traditional suit, which created a more flexible and comfortable garment. Armani also used unconventional textiles in his designs. Armani's evening wear often plays with the idea of revealing and concealing the body. Sheer fabrics, appliques, and beadwork are used to create a sense of modesty, which is then subverted by low necklines or high slits. This creates opportunities for exposure. Some designs feature trousers reminiscent of 1920s lounging pyjamas, paired with jewelled bodices. The beadwork on the bodices provides camouflage, giving the impression of a tattooed body, which is never fully naked. Other designs incorporate elements from historical garments, such as corsets, and Mariano Fortuny's Delphos dresses.
  • When did Arman Manookian live and work?
    Arman Manookian (1904[1]-1931[1]) was an artist of Armenian heritage, born in Constantinople (now Istanbul). He is mainly known for his paintings created in Hawaii. Manookian received his early art training at the Constantinople Academy of Fine Arts. In 1922[1], he immigrated to the United States, settling initially in Rhode Island. He then moved to Honolulu in 1923, where he enrolled at the Honolulu Art Academy. There, he studied with Frank Montague Moore and Shirley Russell. His time in Hawaii proved artistically fruitful, though brief. Manookian developed a distinctive style, often depicting Hawaiian scenes, figures, and legends with a blend of realism and imaginative colour. He incorporated elements of Art Deco[1] and Symbolism into his work. Despite his talent, Manookian's career was cut short by his early death at the age of 27. His works have since gained recognition for their unique perspective on Hawaiian culture and their artistic merit.
  • Where can I see Arman Manookian's work?
    Arman Manookian's work can be viewed in several museums. These include the Musée du Louvre in Paris, and the Musée des Arts Decoratifs, also in Paris. Other locations include the Musée des Beaux-Arts in Nancy, France, and the Musée Toulouse-Lautrec in Albi. A work by an artist named Manoukian, with the initial N., is held at the Musée des Beaux-Arts in Lille. You can also find art deco items, which may include Manookian's work, at the Metropolitan Museum of Art in New York, the Los Angeles County Museum of Art (LACMA), and the Minneapolis Institute of Arts. Further afield, art deco pieces appear at the Museu Calouste Gulbenkian in Lisbon, the Museu d’Art Modern (MNAC) in Barcelona, and the Brangwyn Museum in Brugge, Belgium. The Royal Ontario Museum (ROM) in Toronto has also held Manookian pieces.
  • Where was Arman Manookian from?
    Arman Manookian was an artist of Armenian heritage, born in Tehran, Iran, in 1904[1]. His family moved to the United States in 1921[1]. They initially settled in New York City. Manookian's artistic journey took him to the Pacific. He lived in Honolulu, Hawaii, where he became known for his paintings. These artworks often depicted Hawaiian scenes and Polynesian people. He captured images of island life and culture. Although born in Iran and raised partly in America, Manookian is most associated with Hawaii. He spent a significant portion of his career there, creating a distinctive body of work inspired by the islands. He died in Honolulu in 1931[1] at the age of 27.
  • Who did Arman Manookian influence?
    It is difficult to name specific artists who were directly influenced by Arman Manookian. More information is needed to answer this question fully. However, the question of influence in art history is complex. For example, several artists admitted to the "law of the grandfather", where they were able to use the surface-oriented figurative work of Matisse to bypass the abstract expressionists. Rothko's work reminded some of Gauguin, expressing invisible states of mind through pure colour. Rothko, Newman, and Still were working with similar ideas. Rothko used an interior state of mind that was ephemeral. Youngerman was influenced by Ryder, Hartley, Dove, and O'Reeffe. These painters shared a vision that transcended nature without entirely relinquishing its outward forms.
  • Who influenced Arman Manookian?
    It is difficult to identify specific influences on Arman Manookian. However, one can consider the artistic influences on his contemporaries and teachers to understand the artistic milieu in which he worked. For example, the artist Arshile Gorky was significantly influenced by Armenian stone carving, mural painting and manuscript painting. Gorky often referenced medieval manuscript painters such as Sarkis Pidzak and Toros Roslin. He also drew inspiration from the sculptures of Akhtamar and the art of the Vart Badrik shrine in Khorkum. Gorky saw Armenian art as a universal language of form. Another artist, Jack Youngerman, was influenced by Henri Matisse's silhouetted forms and expressive shapes. Matisse's drawings dictated Youngerman's early attempts to render organic forms with positive/negative, figure/ground relationships. These examples suggest that Manookian may have been exposed to a range of influences, including Armenian art and the work of Matisse.
  • Who was Arman Manookian?
    Arman Manookian (1904[1]-1931[1]) was an Armenian-American artist. He is known today for his paintings of Hawaiian subjects. Manookian was born in Iran. He received his early education there, showing an aptitude for drawing. He emigrated to the United States in 1920[1]. He then studied at the Rhode Island School of Design, graduating in 1923. After graduation, Manookian moved to Honolulu, Hawaii. He worked for an advertising agency as a commercial artist. In his free time, he produced fine-art paintings, drawings, and linocuts. These works often depicted Hawaiian mythology, hula dancers, and island life. His style combined academic training with elements of Art Deco[1] and Symbolism. Manookian's art gained some local recognition during his lifetime, but he did not achieve widespread fame. He struggled with depression and alcoholism. Sadly, he died by suicide at the age of 27. Interest in his work increased posthumously. Today, his paintings are included in the collections of the Honolulu Museum of Art and other institutions.

Sources

Editorial draws on the following primary and tertiary references for Arman Manookian.

  1. [1] wikipedia Wikipedia: Arman Manookian Used for: biography, birth dates, death dates, identifiers, movement attribution, nationality.
  2. [2] book guggenheim-giorgioarmani00cela Used for: biography, stylistic analysis.
  3. [3] book Porter, Venetia.,Rosser-Owen, Mariam., Metalwork and Material Culture in the Islamic World Used for: biography.
  4. [4] book Porter, Venetia (editor);Rosser-Owen, Mariam (editor), Metalwork and material culture in the Islamic world _ art, craft and text _ essays presented to James W. Allan Used for: biography.
  5. [5] book The glory of Byzantium Used for: biography.

Editorial overseen by Solis Prints. Sources verified 2026-05-24. Click a source for details, or hover over [N] in the page above to preview.

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