His artistic method relies on a firm, muscular line that suggests the weight of stone. Works like Hercules op de rug gezien demonstrate his interest in the male physique and anatomical accuracy. He often stripped away backgrounds to focus on the tension of a single figure or a group of grotesque masks. This approach creates a sense of volume on the page. His prints are characterised by bold hatching and a clear definition of form that avoids soft or blurred edges.

Modern collectors appreciate these engravings for their clean, graphic aesthetic. The subjects range from the playful Drie putti met dolfijnen to the strange imagery of The Haul of Monstrous Fish. These prints function as studies of form and movement. They suit a variety of home environments because they provide a historical atmosphere without being overly ornate. The focus on line and shadow allows these works to complement both traditional and modern decor.