Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
The Virgin Searching for Her Son in the Synagogue - Albrecht Altdorfer
Prezzo originale
£28.00 GBP
Prezzo scontato
£28.00 GBP
Prezzo originale
Stampa giclée d'archivio
Le cornici arrivano pronte per essere appese
Pagamento sicuro
Fatto su ordinazione
Descrizione
An early sixteenth-century engraving by Albrecht Altdorfer, depicting the Virgin Mary in a detailed architectural setting.
This engraving by Albrecht Altdorfer depicts a scene from the life of the Virgin Mary. The composition focuses on the moment Mary discovers the young Jesus debating with the elders in the temple. Altdorfer employs a sophisticated architectural setting, using columns and vaulted arches to create a sense of depth within the confined space of the synagogue. The Virgin is positioned in the foreground, her hand resting against a pillar, while the figures of the elders and the young Christ are visible in the background, framed by the structural elements of the building.
Altdorfer, a member of the Danube School, is known for his integration of human figures into complex, often atmospheric environments. In this work, the precision of the line work allows for a clear distinction between the textures of the stone architecture and the folds of the garments. The artist uses cross-hatching to build shadow and volume, providing a tactile quality to the scene. The inclusion of the artist's monogram on the base of the pillar is a characteristic feature of his prints, identifying the work as part of his graphic output during the early sixteenth century.
The narrative is conveyed through the positioning of the figures, with the Virgin acting as the primary observer of the event. The architectural details, such as the capitals and the arched windows, reflect the influence of contemporary European building styles, which Altdorfer adapted to suit the biblical subject matter. This print demonstrates the technical skill required for metal engraving during the period, where every mark on the plate contributes to the final tonal balance of the image. The work remains a clear example of the narrative capabilities of printmaking in the Northern Renaissance, where artists explored both theological themes and the possibilities of spatial representation.
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Produzione
Ogni stampa è realizzata su ordinazione mediante stampa giclée a 12 colori su carta d'archivio certificata FSC. Ideata in Gran Bretagna e stampata presso il centro di produzione più vicino a te per ridurre gli sprechi e velocizzare la consegna.
Cura e materiali
Caratteristiche specifiche
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- Carta fine-art opaca d'archivio, certificata FSC
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- Cornici in nero, legno naturale, legno scuro o bianco
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- Spolvera delicatamente con un panno morbido e asciutto
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Materiali e dimensioni
Stampa giclée di qualità museale su carta opaca d'archivio certificata FSC, con opzioni di cornice e tela.
- Dimensioni carta: A4, A3, A2, A1, A0 e B2 (50×70 cm)
- Tela: da XS (20×30 cm) a Large (60×90 cm)
- Cornici: nero, legno naturale, legno scuro o bianco
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The Virgin Searching for Her Son in the Synagogue - Albrecht Altdorfer
Prezzo originale
Da £28.00 GBP
Prezzo scontato
Da £28.00 GBP
Prezzo originale
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Albrecht Altdorfer
Altdorfer was elected mayor of Regensburg in 1528 but turned the position down to finish a painting. The painting was The Battle of Alexander at Issus, commissioned by Duke William IV of Bavaria: a vast panoramic canvas showing Alexander's victory over Darius III, with thousands of tiny soldiers beneath a cosmic sky. It is one of the first history paintings to treat landscape as the dominant element.
He was born around 1480, probably in Regensburg, and became a citizen in 1505. He is credited with painting one of the first pure landscapes in oil with no human figures, Landscape with Footbridge (c. 1518 to 1520), a step that no European painter had taken since antiquity. He died in Regensburg in 1538.
He was born around 1480, probably in Regensburg, and became a citizen in 1505. He is credited with painting one of the first pure landscapes in oil with no human figures, Landscape with Footbridge (c. 1518 to 1520), a step that no European painter had taken since antiquity. He died in Regensburg in 1538.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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