His approach followed a strict neoclassical style that prioritised line over colour. He drew inspiration from Greek vase painting and the works of John Flaxman, creating compositions that resemble carved friezes. In series such as the Life of Joseph or his illustrations for Dante, he used clear outlines to define human forms and dramatic movement. He avoided atmospheric shadows, preferring a flat, architectural sense of space.

These prints appeal to collectors who appreciate graphic precision and historical narrative. The starkness of his line work allows his art to sit comfortably alongside modern minimalist decor. His depictions of classical mythology and biblical scenes provide a sense of intellectual depth without the visual clutter of traditional oil paintings.