Sammlung
Anders Zorn
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Edö - Anders ZornPrint · Framed
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Première - Anders ZornPrint · Framed
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Mme. Olga Bratt - Anders ZornPrint · Framed
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The Swan - Anders ZornPrint · Framed
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Gopsmor Cottage - Anders ZornPrint · Framed
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President William Howard Taft - Anders ZornPrint · Framed
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Portrait of the Artist and His Model - Anders ZornPrint · Framed
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Auguste Rodin - Anders ZornPrint · Framed
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Antonin Proust - Anders ZornPrint · Framed
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Skerikulla - Anders ZornPrint · Framed
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Ols Maria - Anders ZornPrint · Framed
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Seaward Skerries - Anders ZornPrint · Framed
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The New Ballad - Anders ZornPrint · Framed
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Wet - Anders ZornPrint · Framed
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Mme. Granberg - Anders ZornPrint · Framed
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Two Bathers - Anders ZornPrint · Framed
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Gulli II - Anders ZornPrint · Framed
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Storm - Anders ZornPrint · Framed
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Rosita Mauri - Anders ZornPrint · Framed
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The Bride's Maid - Anders ZornPrint · Framed
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Mr. and Mrs. Fürstenberg - Anders ZornPrint · Framed
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Vallkulla - Anders ZornPrint · Framed
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Lawyer Wade - Anders ZornPrint · Framed
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Pilot - Anders ZornPrint · Framed
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Artist Biography
Anders Zorn
Zorn painted three sitting American presidents: Grover Cleveland, William Howard Taft and Theodore Roosevelt. For a Swedish painter from a small town in Dalarna, the commissions represented an extraordinary international reach, built on a reputation as one of the finest portrait painters and etchers of his generation.
He was born in Mora in 1860, studied at the Royal Swedish Academy of Arts in Stockholm, and worked across Paris, London and the United States. His ability to render water and flesh with loose, confident brushwork set him apart from more academic contemporaries. His etchings, numbering roughly three hundred, are considered among the finest of the period.
He returned to Mora later in life, establishing a museum and open-air museum there. The Zorn Museum remains a major cultural institution in Sweden. He died in Mora in 1920, at sixty.
He was born in Mora in 1860, studied at the Royal Swedish Academy of Arts in Stockholm, and worked across Paris, London and the United States. His ability to render water and flesh with loose, confident brushwork set him apart from more academic contemporaries. His etchings, numbering roughly three hundred, are considered among the finest of the period.
He returned to Mora later in life, establishing a museum and open-air museum there. The Zorn Museum remains a major cultural institution in Sweden. He died in Mora in 1920, at sixty.
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