Collection
Thomas Gainsborough
Explore curated art prints selected for distinctive homes and considered interiors.
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Miss Elizabeth Haverfield - Thomas Gainsborough
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Seashore with Fishermen - Thomas Gainsborough
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Portrait of Carl Friedrich Abel - Thomas Gainsborough
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Philip James de Loutherbourg - Thomas Gainsborough
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The Earl of Darnley - Thomas Gainsborough
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Mr. and Mrs. Andrews - Thomas Gainsborough
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Portrait of John Hayes St. Leger - Thomas Gainsborough
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Portrait of James Christie - Thomas Gainsborough
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The Duke and Duchess of Cumberland - Thomas Gainsborough
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Portrait of Johann Christian Bach - Thomas Gainsborough
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A Peasant Girl with Dog and Jug - Thomas Gainsborough
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William Wollaston - Thomas Gainsborough
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Portrait of Prince Edward, Duke of Kent - Thomas Gainsborough
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Portrait of Ann Ford (later Mrs. Thicknesse) - Thomas Gainsborough
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The Three Eldest Princesses - Thomas Gainsborough
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The Woodcutter's House - Thomas Gainsborough
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The Charterhouse, London - Thomas Gainsborough
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George, Prince of Wales, Later George IV - Thomas Gainsborough
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The Painter's Daughters Chasing a Butterfly - Thomas Gainsborough
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Portrait of John Hobart, 2nd Earl of Buckinghamshire - Thomas Gainsborough
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The Woodsman - Thomas Gainsborough
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Isabella, Viscountess Molyneux - Thomas Gainsborough
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The Linley Sisters (Mrs. Sheridan and Mrs. Tickell) - Thomas Gainsborough
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Wooded Landscape with Cattle by a Pool and a Cottage at Evening - Thomas Gainsborough
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Artist Biography
Thomas Gainsborough
Gainsborough composed landscape scenes by building tabletop models from broccoli and cauliflower for trees, lumps of coal for hills, and mirrors for water. He painted from these arrangements in his studio. He said he was sick of portraits and wished he could walk off with his viol-da-gamba to paint landscapes. Portraits paid the bills. Landscapes were what he loved.
He was born in Sudbury, Suffolk, in 1727. His father went bankrupt in 1733. He moved to London as a teenager and trained under the French engraver Hubert-Francois Gravelot. By his thirties he was one of the two dominant portrait painters in Georgian England, the other being Joshua Reynolds. The rivalry with Reynolds defined both their careers.
The Blue Boy is probably his most famous painting, though he would have preferred to be remembered for his landscapes. On his deathbed he reconciled with Reynolds. Reynolds later wrote that the Royal Academy had lost one of its greatest ornaments. Gainsborough died in 1788, aged sixty-one.
He was born in Sudbury, Suffolk, in 1727. His father went bankrupt in 1733. He moved to London as a teenager and trained under the French engraver Hubert-Francois Gravelot. By his thirties he was one of the two dominant portrait painters in Georgian England, the other being Joshua Reynolds. The rivalry with Reynolds defined both their careers.
The Blue Boy is probably his most famous painting, though he would have preferred to be remembered for his landscapes. On his deathbed he reconciled with Reynolds. Reynolds later wrote that the Royal Academy had lost one of its greatest ornaments. Gainsborough died in 1788, aged sixty-one.
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