Collection
Kazimir Malevich
Explore curated art prints selected for distinctive homes and considered interiors.
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Black Square - Kazimir MalevichPrint · Framed
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The Model - Kazimir MalevichPrint · Framed
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Red Square: Painterly Realism of a Peasant Woman in Two Dimensions - Kazimir MalevichPrint · Framed
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Peasant Woman with Buckets and a Child - Kazimir MalevichPrint · Framed
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Attentive Worker - Kazimir MalevichPrint · Framed
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Province - Kazimir MalevichPrint · Framed
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Brawler - Kazimir MalevichPrint · Framed
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Bureau and Room - Kazimir MalevichPrint · Framed
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The Knife Grinder - Kazimir MalevichPrint · Framed
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Praying Woman - Kazimir MalevichPrint · Framed
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Peasant Women in a Church - Kazimir MalevichPrint · Framed
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Taking in the Harvest - Kazimir MalevichPrint
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Sisters - Kazimir MalevichPrint
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Gardener - Kazimir MalevichPrint
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River in Forest - Kazimir MalevichPrint
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Woman picking flowers - Kazimir MalevichPrint
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Triumph of the Skies - Kazimir MalevichPrint
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Resting. Society in Top Hats - Kazimir MalevichPrint
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New Man (Costume Design) - Kazimir MalevichPrint
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Landscape with Yellow House - Kazimir MalevichPrint
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Prayer - Kazimir MalevichPrint
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Portrait of a Member of the Artist's Family - Kazimir MalevichPrint
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Winter Landscape - Kazimir MalevichPrint
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Spring Garden in Blossom - Kazimir MalevichPrint
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Artist Biography
Kazimir Malevich
Malevich hung Black Square in the corner of the room where Russians traditionally hang religious icons. This was in 1915, at the Last Futurist Exhibition in Petrograd. A black square on a white ground, placed where the icon should be. He called it the zero of form.
He was born in 1879 near Kyiv, to parents of Polish origin, the eldest of fourteen children. Nine survived to adulthood. He moved through Impressionism, Symbolism, Fauvism, and Cubism before arriving at Suprematism, a system of pure geometric abstraction that he invented in 1913. White on White (1918) pushed the principle to its logical end: a white square, barely visible, tilted on a white background.
In 1927, he took approximately seventy paintings to Berlin for an exhibition. Soviet authorities recalled him abruptly. He left the entire cache with a German architect named Hugo Haering and never saw them again. The works eventually ended up at MoMA in New York and the Stedelijk Museum in Amsterdam.
In 1930, the secret police arrested him, accused him of Polish espionage, and threatened execution. He was imprisoned for two months. His teaching position was taken away. Artworks and manuscripts were confiscated. He was banned from making art and forced to return to figurative painting under Stalin.
He died of cancer in 1935, aged fifty-six. On his deathbed, Black Square was hung above him. His ashes were buried at Nemchinovka. He had requested a Suprematist sculptural form to mark his grave. Instead, it was marked with a white cube bearing a black square, which was destroyed during the war.
He was born in 1879 near Kyiv, to parents of Polish origin, the eldest of fourteen children. Nine survived to adulthood. He moved through Impressionism, Symbolism, Fauvism, and Cubism before arriving at Suprematism, a system of pure geometric abstraction that he invented in 1913. White on White (1918) pushed the principle to its logical end: a white square, barely visible, tilted on a white background.
In 1927, he took approximately seventy paintings to Berlin for an exhibition. Soviet authorities recalled him abruptly. He left the entire cache with a German architect named Hugo Haering and never saw them again. The works eventually ended up at MoMA in New York and the Stedelijk Museum in Amsterdam.
In 1930, the secret police arrested him, accused him of Polish espionage, and threatened execution. He was imprisoned for two months. His teaching position was taken away. Artworks and manuscripts were confiscated. He was banned from making art and forced to return to figurative painting under Stalin.
He died of cancer in 1935, aged fifty-six. On his deathbed, Black Square was hung above him. His ashes were buried at Nemchinovka. He had requested a Suprematist sculptural form to mark his grave. Instead, it was marked with a white cube bearing a black square, which was destroyed during the war.
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