Red House - Kazimir Malevich
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Beskrivning
A striking modernist composition by Kazimir Malevich, featuring a bold red house set against simplified, horizontal bands of colour.
Red House is a representative work from the later period of Kazimir Malevich, the Russian painter who founded the Suprematist movement. During this phase of his career, Malevich returned to figurative subjects, yet he applied the lessons of his earlier abstract experiments to these compositions. The painting features a stark, central structure rendered in a bold, saturated red. This geometric form sits against a series of horizontal bands of colour, which suggest a simplified horizon line and sky. The application of paint is textured, showing the physical presence of the brushwork across the surface of the canvas.
The composition relies on a reduction of form to its most basic elements. By stripping away unnecessary detail, Malevich directs the viewer to the relationship between the central red mass and the surrounding colour fields. The black roof of the house provides a sharp contrast to the red walls, while the blue, white, and yellow bands create a sense of space without resorting to traditional perspective. This approach reflects the artist's interest in the autonomy of colour and shape, even when depicting a recognisable object. The work avoids narrative complexity, focusing instead on the visual weight and balance of the elements within the frame. It is a clear example of how the artist translated his earlier theories into a new, post-Suprematist visual language. The painting remains a study in the power of primary colours and geometric simplicity, demonstrating the artist's ability to create tension through minimal means.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Red House - Kazimir Malevich
Artist Biography
Kazimir Malevich
He was born in 1879 near Kyiv, to parents of Polish origin, the eldest of fourteen children. Nine survived to adulthood. He moved through Impressionism, Symbolism, Fauvism, and Cubism before arriving at Suprematism, a system of pure geometric abstraction that he invented in 1913. White on White (1918) pushed the principle to its logical end: a white square, barely visible, tilted on a white background.
In 1927, he took approximately seventy paintings to Berlin for an exhibition. Soviet authorities recalled him abruptly. He left the entire cache with a German architect named Hugo Haering and never saw them again. The works eventually ended up at MoMA in New York and the Stedelijk Museum in Amsterdam.
In 1930, the secret police arrested him, accused him of Polish espionage, and threatened execution. He was imprisoned for two months. His teaching position was taken away. Artworks and manuscripts were confiscated. He was banned from making art and forced to return to figurative painting under Stalin.
He died of cancer in 1935, aged fifty-six. On his deathbed, Black Square was hung above him. His ashes were buried at Nemchinovka. He had requested a Suprematist sculptural form to mark his grave. Instead, it was marked with a white cube bearing a black square, which was destroyed during the war.
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