A detailed sixteenth-century engraving depicting the summer harvest, featuring rural labourers at work and rest in a Dutch village setting.

This engraving, titled Zomer (Summer), is a fine example of late sixteenth-century Dutch printmaking. It belongs to a series depicting the four seasons, a popular subject in Northern European art during this period. The composition is organised to show the agricultural activities associated with the summer months, specifically the grain harvest. In the foreground, labourers are depicted in various states of exertion and rest. One figure swings a sickle to cut the wheat, while another drinks from a jug, reflecting the physical demands of the season. The background features a rural village with farm buildings and a church spire, providing a sense of place and community. The technique employed by van Londerseel demonstrates the precision characteristic of Dutch engraving. The use of cross-hatching and varied line weights creates depth and texture, from the rough clothing of the peasants to the soft clouds in the sky. The inclusion of Latin inscriptions at the bottom of the print connects the scene to classical themes, specifically the influence of the sun and the goddess Ceres on the harvest. This work provides a window into the social and economic life of the period, documenting the tools, clothing, and daily routines of rural workers. The attention to detail, such as the bundles of wheat and the farm animals, suggests a desire to capture the reality of the season. As a museum-grade print, this piece offers a clear view of the technical skill required to produce such detailed narrative works on copper plates. It remains a valuable record of the seasonal cycles that governed life in the Low Countries at the turn of the seventeenth century.